A Quote by Mahira Khan
People have asked me about what it's like to work in Pakistan and abroad. It's such a healthy cultural exchange.
Related Quotes
Even when people abroad see me, I'm often asked about a 'Zone of the Enders' sequel.
I want to create awareness amongst the common people of Pakistan and I generally appeal to the Pakistani people living here and abroad for help and they provide me with the necessary resources.
Culture is this thing that we can exchange among ourselves as human beings to knock aside our differences and build upon our similarities. Cultural exchange is the ultimate exchange.
Somebody once asked me, 'What do you do?' and I flippantly answered 'I'm a cultural engineer.' With hindsight, I kind of am - but if I got too self-conscious about it, it wouldn't work.
People put 'study abroad' on their resume. I actually like when they don't study abroad because that means they aren't entitled. What about study abroad will make you a better J.Crew associate?
If we do it, if we work to achieve all this [cultural exchange with Japan], we can and should talk about joint efforts toward ensuring international security, and not only in the Far East.
One of the other things that I love about Miyazaki's films, is that when he sets a film in Europe, it's not a documentary - it doesn't really look like Europe, but it's something he internalises, synthesises and weaves into his work. I love seeing that cross-cultural exchange.
When I Asked God for Strength He Gave Me Difficult Situations to Face When I Asked God for Brain & Brawn He Gave Me Puzzles in Life to Solve When I Asked God for Happiness He Showed Me Some Unhappy People When I Asked God for Wealth He Showed Me How to Work Hard When I Asked God for Favors He Showed Me Opportunities to Work Hard When I Asked God for Peace He Showed Me How to Help Others God Gave Me Nothing I Wanted He Gave Me Everything I Needed.
Playing a prisoner of war trapped in Pakistan for three years was a novelty for me. We made sure that we didn't talk about India versus Pakistan but about the emotions of people on both sides and how terrorism affects us all.
I asked for strength,
and God gave me difficulties to make me strong.
I asked for wisdom,
and God gave me problems to learn to solve.
I asked for prosperity,
and God gave me a brain and brawn to work.
I asked for courage,
and God gave me dangers to overcome.
I asked for love,
and God gave me people to help.
I asked for favors,
and God gave me opportunities.
I received nothing I wanted.
I received everything I needed.
You've been quiet these past days," Trevanion said. "Are you going to tell me what the...exchange of words was about?" "Who said there was an exchange of words?" Finnikin asked with irritation. "When a woman says 'I hope you fall under your horse' and 'catch your death, then see if I grieve you,'" Perri said, "then there's been an exchange of words." Finnikin glared at him. "In my humble opinion.
When I go there to Afghanistan or Pakistan, the question both asked - and if it's not asked, implied - is, 'Are you staying this time?' because we left last time, in 1989 in Afghanistan, and we sanctioned Pakistan from 1990 to 2002. So I think it's a fair question.
I still think about the letter you asked me to write. It nags at me, even though you're gone and there's no one to give it to anymore. Sometimes I work on it in my head, trying to map out the story you asked me to tell, about everything that happened this past fall and winter. It's all still there, like a movie I can watch when I want to. Which is never.
We as the Afghan people and government are willing to help Pakistan work for peace in Afghanistan and work for peace in Pakistan, together.
Living in a place like Pakistan, very often you meet people who are migrating abroad. And sometimes you'll ask their parents, you know - you didn't try to stop them? Like, why didn't you say, don't go - I'll miss you? Stay with me. And, you know, people say, well, it's best for them. They have to go. And parents, you know, take on that sadness because they know it's better for their children if they leave.
Despite their rising international acclaim, Sachal Studios remains virtually unknown in Pakistan. The ensemble is faced with a daunting task: to reclaim and reinvigorate an art that has lost its space in Pakistan's narrowing cultural sphere.
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