A Quote by Mahira Khan

I was shooting for 'Bin Roy' and 'Ho Mann Jahaan' simultaneously. — © Mahira Khan
I was shooting for 'Bin Roy' and 'Ho Mann Jahaan' simultaneously.
I want to be able to bring out stories like 'Verna,' as well as stories which are of the modern and new generation like 'Ho Mann Jahaan,' which is a film I did of the youth of Pakistan.
What ho!" I said. "What ho!" said Motty. "What ho! What ho!" "What ho! What ho! What ho!" After that it seemed rather difficult to go on with the conversation.
As for Roy, I love playing Roy. I'm working at it, but I wish I had less of a care of what people thought of me, so that I could be more like Roy.
Fifteen men on the Dead Man's Chest Yo-ho-ho, and a bottle of rum! Drink and the devil had done for the rest Yo-ho-ho, and a bottle of rum!
I'm shocked at how much I'm into Christmas pillows. There's cheesiness, obviously, but then there's really cute ones that are metallic that say "Ho Ho Ho" or "Merry" or cute vintage needlepoint ones.
Aschenbach is not only a projection of Mann in the obvious ways - same daily routines, author of the works Mann had planned - nor even in sharing his author's aspirations, doubts, and sexual identity. His watchword, "Durchhalten!" [persevere, keep going] could be Mann's own.
I met Roy's father once... And I think that Roy's relationship with his father is still at the heart of what Roy does. But at the end of the day, he's trying to prove himself to a father he'll never really please.
I was simultaneously shooting for 'Manikarnika' and 'Ek Je Chhilo Raja'. In two-and-a-half months, I took 23 flights, including an international flight to Los Angeles. It was physically very challenging, shooting for both. I would catch up on sleep on the flights.
There were nights when he took a deal more rum and water than his head could carry; and then he would sometimes sit and sing his wicked old wild sea-songs, minding nobody... Often I have heard the house shaking with Yo-ho-ho and a bottle and rum, all the neighbours joining in for dear life with the fear of death upon them and each singing louder than the other to avoid remark. Fiften men on the dead man's chest, Yo-ho-ho and a bottle of rum! Drink and the devil have done for the rest. Yo-ho-ho and a bottle of rum!
Santa Jr. I was a cop. Yes, I was officially Santa. But a younger Santa. He goes young, clean-shaven, to how we imagine Santa with all the white hair and beard and "Ho ho ho." Kind of funny.
On 'Arrow,' we have Ray Palmer and Roy Harper, and if you call Roy 'Ray' and Ray 'Roy,' you have to put money into the jar.
Mann and Joyce are very different, and yet their fiction often appeals to the same people: Harry Levin taught a famous course on Joyce, Proust, and Mann, and Joseph Campbell singled out Joyce and Mann as special favorites. To see them as offering "possibilities for living", as I do, isn't to identify any distinctive commonality. After all, many great authors would fall under that rubric.
I used to hunt as a child but gave up the chase in my 'Ho Ho Ho Chi-Minh, we shall fight and we shall win' chanting and marching days - by which time I had come to share Oscar Wilde's feelings about 'the unspeakable in full pursuit of the uneatable.'
Ho! Ho! Ho! To the bottle I go To heal my heart and drown my woe Rain may fall, and wind may blow And many miles be still to go But under a tall tree will I lie And let the clouds go sailing by
Mann's sexuality and his attitudes towards it are extremely complex - and the complexities are inherited in the figure of Aschenbach. Mann had lived through a series of (almost certainly unconsummated) relationships with young men.
What's my favorite thing about Seattle? It's Ho Ho's Restaurant.
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