A Quote by Mahira Khan
If people can come out of 'Bin Roye' feeling even just a little bit of what this character felt, and touched your heart, that's enough for me.
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Who needs a house? I'm talking about your heart. You have plenty of guest rooms there. And that's what you do. You open your heart to people. You keep lovely little rooms in there, just waiting for your friends to come visit. People feel as if they can come right in, just as they are. You don't entertain, you love. That's what lasts. That's why people like me feel as if I will always be your friend. You hold a special place for me in your heart.
Obviously, you've spent some time in New York. I moved there and it was a bit much. It was a bit overwhelming for me. I didn't want to go out. I just felt a little homesick. I was just waiting to feel excited about something. I went through a phase of feeling kind of dull. It's really easy to shut off in New York and stay in your apartment.
He (Shaithan) is extremely patient. He won't get you in one shot. He'll come at you and he'll put a little bit and a little bit and a little bit until he destroys your character.
I've had a couple of people come up to me after screenings and say they kind of sympathized with the character. I always get a kick out of it when people say that. It means I did something maybe a little bit to the credit of the character.
I've given 'Bin Roye' everything, and I'm hoping that people enjoy something different coming from Pakistani cinema.
Even going out to get milk becomes a little bit challenging, just because there is a whole entourage that then travels with me for this simple thing. So I tend to try and find ways not to inconvenience a whole raft of other people, so it changes my mindset a little bit.
Little girls are the nicest things that happen to people. They are born with a little bit of angelshine about them, and though it wears thin sometimes there is always enough left to lasso your heart.
"You are the actor, and I understand we already had our sit down, you explained your concept, your view," so I said, "Okay, I'm in your hands." That means that if you've got to nudge me a little bit to the right I move to the right, just from the pressure, weight, but you won't have to touch me at all. You can come and go "Okay, you want me over here a little bit more," so no pressure on us at all that's easy to do.
And enough for me that when my hand touched your shoulder, you leaned on me; and when you felt me slip away, you called my name.
Having that little bit of breathing room to work, and not feeling like it's going to fall apart at any second, has allowed me to recover the feeling I had when I was a little kid, when I was writing stories for fun or drawing pictures for my parents to put on their refrigerator. It was about playing and doing something fun, and kind of making your own little world. And that's how art should feel for me, and how having a little bit more distance between my ass and the ground has helped me.
Every role affects an actor a little bit. There's always a little chunk of a character that stays left over in your heart.
I don't only act out of my character; my character reacts to my actions. Each time I why, even if I'm not caught, I become a little bit more of this ugly thing: a liar. Character is always in the making, with each morally valenced action, whether right or wrong, affecting our characters, the people who we are.
Your heart, Mary Karr, he'd say. His pen touched my sternum, and it felt for all the world like the point of a dull spear as he said, Your heart knows what your head don't. Or won't.
A part of me understands why a mother is equally proud of all her children, but that little boy inside me just wants my mom to say, out loud but even just to me, 'I'm a little bit prouder of you.'
I just felt, at the time, a little bit relieved, because I was kinda counting the days: 'Come on! Let's get these records into people's homes - nobody will ever be able to get them all back, and it'll be an artefact out in the world.'
One particular night I was at the theater. I was not scouting for a project, but I was touched by this play by Évelyne de la Chenelière. I was touched by the character. I thought it was a rich character that could be rich enough for a movie.
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