A Quote by Mahira Khan

Only a good actor has an edge over a weak actor. A hardworking actor has an edge over a lazy actor. Nationality has nothing to do with it. — © Mahira Khan
Only a good actor has an edge over a weak actor. A hardworking actor has an edge over a lazy actor. Nationality has nothing to do with it.
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
You need an actor who can maintain a character over a long period of time. If you have a weak actor, it won't be obvious in two hours, but you'll begin to see his weaknesses over four or five days.
I became an actor kind of by accident. I was in musical theater and I got a job as an actor in a play and kept going. But I never set out to be an actor; it happened over time.
An actor is here to perform. For example, if a character is a Punjabi or a Bihari, and the actor is not, doesn't mean we have to cast an actor from that region. If an actor can perform, they can portray anyone because an actor is here to try different roles.
What's with the whole 'child actor' and 'teen actor' thing? You're either an actor or actress, or you're not. I don't get it! I want to be taken seriously as an actor.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.
Im an actor, full stop. Not an Arab actor. Not an actor of Algerian origin. Just an actor.
I'm an actor, full stop. Not an Arab actor. Not an actor of Algerian origin. Just an actor.
I went to a masterclass with Jonathan Pryce who said that a successful actor is not a famous actor, it's an actor who acts. And I have been incredibly fortunate to have worked constantly from the moment I left drama school, so I achieved what I set out to do. I am an actor.
I always thought the leading actor should be the best supporting actor, because you're the only person that can help every other actor on the set.
I feel whatever an actor does on screen is something the actor 'does,' and what the director can do is to tell, talk or instruct. So, all the credit for an actor's performance goes to the actor alone.
I've never trained as an actor. I've always thought I'm not a good actor. I've been told I'm not a good actor by a lot of people.
TV and films are same for me. I took a decision to be an actor, and I am an actor. I never decided to be TV actor or film actor.
In college, I was teetering on the edge: Do I want to be an actor? Do I not want to be an actor? And then I saw Michael Caine in 'Alfie,' and I thought, 'Wow, that's what I want to do with my life,' even if I knew I'd never reach that level of proficiency.
I never thought about being the first black actor to win, even though everybody else talked about that. If I stop to think as a black actor, people will see me differently. If I play as a black actor, people will only see that. I think my key was to perform as an actor, not as a black actor. And after winning the Cesar, I was an actor with a Cesar. there are many more adjectives to describe who I am. I'm not only black.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
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