A Quote by Mahmoud Abdul-Rauf
George Washington Carver said: 'No one has the right to come into this world and go out of it without leaving distinct and legitimate reasons for having passed through it.' So if I'm going to be remembered for something, if I have a choice, I'd rather be known for standing up for my principles than shooting a jump shot.
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No individual has any right to come into the world and go out of it without leaving behind him distinct and legitimate reasons for having passed through it.
I never want to be that guy spouting off my political views. I mean, they're pretty well known, and it certainly comes out. If something's bugging my ass on any particular day, I'm probably going to say something about it, but I'm not going to go on a tirade. I dislike George Bush as much as probably anybody on earth could, but having said that...I've said it, you know? It's not like I'm going to change anybody's mind.
I'd rather grind slow because when it land in my lap and when I get it, it's going to last longer than just shooting straight to the top and then the plane crashing because I done shot up too fast. I'd rather grind, figure the steps out and stay up there.
There's nothing worse than an ostentatious shot or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something. But it's not necessarily right for the film — you jump out, you think about the surface, and you don't stay in there with the characters and the story.
When George Bush Senior [George HW Bush] was getting his alliance together to go into Iraq - to kick the Iraqis out of Kuwait - he rang me up. I was very close to George Bush Senior; I got to know him well as Vice President to Ronald Reagan. And George rang me up and said, "Oh, Bob," he said, "I'm having trouble with Brian [Mulroney]." He said, "He's got a big wheat trade with Iraq, and he doesn't want to upset that." I said, "You leave it with me."
In this world laws are written for the lofty aim of "the common good" and then acted out in life on the basis of the common greed. In this world irrationality clings to man like his shadow so that the right things get done for the wrong reasons - afterwards, we dredge up the right reasons for justification. It is a world not of angels but of angles, where men speak of moral principles but act on power principles; a world where we are always moral and our enemies always immoral; a world where "reconciliation" means that when one side gets the power and the other side gets reconciled to it.
When it's all said and done, you may go through the fire, through the flood, through the famine, but you'll come out standing strong.
When I got my headshots done, there was this woman screaming at me to blow my lips out. She kept saying, 'You want to be like Scarlett Johansson, don't you?' In the shot, my eyes are popping out; I look terrified. I realised I'd rather not get a job than go through pain to be something I'm not.
Afterwards, people come and say, "I felt like you said that just to me. What you said is something I'm going through right now," so you know that spiritual connection is going on.
I'm not a big fan of shooting something that looks like it could belong in any movie. I'm not a fan of, okay, 'wide shot, wide shot, medium shot, close-up, close-up - we'll figure it out in post.' I hate that.
A hard truth: that courage can be without meaning or impact, need not be rewarded, or even known. The world has not been made in that way. Perhaps, however, within the self there might come a resonance, the awareness of having done something difficult, of having done . . . something.
We want better reasons for having children than not knowing how to prevent them. Nor should we represent motherhood as something so common and easy that everyone can go through it without harm or suffering and rear her children competently and well.
That shot in "Into the Inferno" somehow popped up while my editor and I were viewing the footage. I immediately said, "That looks like the opening shot because the camera approaches the action very slowly and we have enough time to insert some of the main credits into it." So it was a practical choice. At the same time, you see these tiny figures standing at the rim of something, and all of a sudden, the camera rises further and you find yourself looking straight down into an inferno.
A new breed of ministers is rising up who will not wear out for the gospel. They are so caught up in passion, unity, and fullness that they run out and say, “World, here I come!” If they go into places where they get shot at, they are thrilled. If they do not get shot at, they are thrilled. If the place they go is filthy, they are thrilled. If it is clean, they are thrilled. Jesus is the joy set before them. He is their exceedingly great reward.
Rather than fight the same tired battles that have dominated Washington for decades, it's time to try something new. Let's invest in our people without leaving them a mountain of debt. Let's meet our responsibility to the citizens who sent us here. Let's try common sense.
It's actually a relatively small number of people that really are those risk takers, and a relatively small number of people that end up really having an impact on the world, and it doesn't take a lot of people. We said, 'Well, rather than just sit by and wait, or fold our tent and go do something else, let's keep at it. Maybe we can be the ones who can figure this out,' and eventually we were.
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