A Quote by Maika Monroe
There's a lot of garbage, and then there are those ones that just stand out so incredibly. You fight for those roles; you do everything in your power to get it.
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Get out into the sunlight-out where everything is-with a vibration that is so dominant that those who annoy you, those who don't agree with you, those who make your life feel uncomfortable, don't come into your experience, because your vibration-through your practice-has become so clear, so pure, so clean, so in keeping with what you want, that the world that revolves around you just feels like that. That's what you planned.
You are not wrong. You fought to protect your world. Isn't that good enough? After all, justice in this world is just a bunch of principles made by those with power to suit themselves. No one really thinks of others, you will lose everything if you cannot keep up. Only two kinds of people exist in this world—those who steal and those who are stolen from. So then, today, I just stole your future. That's all.
You collapse a few times, and you put your head in your hands, and you say, "Oh my god, how am I gonna get through this?" You have a few of those nights, and then you get over it and you keep it moving. And those nights... As you get more used to the strain, I guess those nights are fewer and farther between. So that's the best you can hope for. It's a tough job and it's a lot to pull out of your brain.
I won the Oscar for 'Raging Bull' for those fight sequences. If you look at those fight sequences, those were so incredibly storyboarded and shot in an incredible way - that is the conception a good director has to bring.
I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle, or they just couldn't do it. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. But they lost those crucial years of learning to turn any audience into your audience.
Barack is at a level where he can't - no matter how much he wants to or how much we want him to - he's not going to come take out our garbage, so to speak. He can't be the garbage man and the president. He can't be the mayor and the alderman. He can't fill all those roles. So I always push for local, local activity on the political scene.
You know, those kinds of things in your life...movies you try to work out your issues, then you realize those kinds of traumatic issues just stay with you forever and they just keep reoccurring, and no matter how hard I try to get them out of my head, they just sort of stay there.
You have to get out of your comfort zone in order to grow. And as an actor, you don't become Meryl Streep by doing the same type of comedy. You get there by being challenged. And unfortunately, there's a lack of roles for women of color, so you actually have to be the engineer creating some of those roles.
For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].
From the public's perspective, they like to see guys that go out there and stand. Now, if you happen to be one of those two athletes that are standing out there and trading with each other, afterwards you would disagree with those people. The spectators are not on the receiving end of all those strikes. I have young guys who say, "I like to stand and trade." I say, "Really? Then you are not a very intelligent fighter."
People always ask me, 'Why so many historical dramas?' Because those are the best roles I get to play, and I get to play heroes in those roles.
Use your knowledge, and your heart, to stand up for those who can't stand, speak for those who can't speak, be a beacon of light for those whose lives have become dark.
With stand-up you meet almost constant rejection. You put yourself out there with your thoughts and your ideas, and you think they're funny, and you hope other people think they're funny too. The only way you're going to find out is when you do it and what the reaction is going to be. So if you're not prepared for that, if you're not willing to go along with that, it's going to be a rough road. But beyond stand-up, in terms of auditioning for acting roles, you don't get most of the roles you audition for - you get a precious few.
Neutrality is for referees in a football game. You have to take a stand. The really, really good journalists always take a stand with those who have no power, with those who have no rights, and with those who have no voice.
To all those whove tried to belong, and just didnt fit inyou are loved. To all those whove tried to stand out and be heardyoure admired. To all those whove tried to be themselves, only to be shut downyou are supported. To all those whove tried to kill themselves because lifes unfairyoure NOT alone. Love your friends, love your enemies, because in the end, theyll all be kissing your ass when you make it.
Theater roles are written by the great masters. The greatest literature that you can possibly know are the theater roles like King Lear, Hamlet, and all of those great roles. So all you do is you dive into these unchallenged roles and see how far you can get, what kind of accolades you can get, and how good you can be in them. In movie roles, you can actually improve them by knowing a lot about your own stage technique, which helps a great deal in the cinema and how you can project inner humor even though the particular dialogue is not necessarily funny, but you can infuse it with humor.
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