A Quote by Maila Nurmi
Oh yes, I dated Orson Welles. We had many encounters on both coasts. I remember the first time he saw me in a boudoir, in a negligee, he said in that wondrous voice of his, ‘Magnificent Carcass.’ ‘MAGNIFICENT CARCASS?’ I thought to myself. Whatever, I didn't see that one coming. But that's really all I want to say about Orson. I don't want to go into how he gave me the Clap.
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I wanted to meet Orson Welles. So I was like, whatever, somehow get me in on this. I'm able to get cast in it, but Orson Welles worked alone. He worked before all of us worked. He didn't want to work with anyone else.
Like so many people, I only remembered Orson Welles as this huge, fat, bearded figure selling wine in TV commercials. So whenever anyone said I looked like Orson Welles I said that I wasn't that fat, and I would get on a diet, quickly.
Like so many people, I only remembered Orson Welles as this huge, fat, bearded figure selling wine in TV commercials. So whenever anyone said I looked like Orson Welles I said that I wasnt that fat, and I would get on a diet, quickly.
The first animation thing I did was the first Transformers, the one that was animated many years ago. And I had heard that Orson Welles was doing a voice on it.
I'm disappointed in acting as a craft. I want everything to go back to Orson Welles and fake noses and changing your voice. It's become so much about personality.
Orson Welles's second 'I-did-it' should show once and for all that film making, radio and the stage are three different guys better kept separated. 'The Magnificent Ambersons' is one of those versions of the richest family in town during the good old days.
Orson Welles, who said to Anita Bryant, Stop picketing me. What I said was I was a thespian. Never got a dinner!
If I could steal someone's dream myself, I'd have to go for one of Orson Welles.
It was so hot today I saw a robin dipping his worm in Nestea.It was so hot today I saw a pigeon walking in the shadow of Orson Welles.It was so hot today that Burger King was singing, "if you want it your way, cook it yourself.
For me, I was watching Gene Kelly, Fred Astaire, Orson Welles, Victor Fleming movies, and I said, "I want to tell stories like that. I want to move people like that. But I'm good at magic, so what am I going to do?" So I started using magic for the right reasons - to get the girl.
You have to remain strong. That's the kind of filmmaker I want to encourage. Orson Welles was the one who said, you know, you can learn anything you need to know about filmmaking- that's camera, sound, celluloid, video at this point- in four hours. It has nothing to do with anything. It has nothing to do with it... It has to do with what you want to say. If you feel you have something to say, you'll find that way to get it said, on film, and not let anyone or anything chip away at that or tarnish it, because it's something special and precious.
I had the good fortune of speaking with Orson Wells many decades ago and he said 'Success is primarily luck anyway.' And I have been very lucky. Of course, Orson Wells was enormously talented and brilliant - so who am I to argue with him!
Roman Polanski actually said as much to me once. He had his head in his hands, and I said, "Roman, I've got to tell you, as an actor, seeing the director with his head in his hands... Look, I really want to do what you want me to do." And he went away and he came back, having obviously thought about what I said. And he said, "When my head is in my hands, I'm closing my eyes and trying to remember what I saw in my head, before any of the stuff."
I was nine. I saw Orson Welles in 'Julius Caesar.' It was involving, emotional, imaginative. I've never forgotten it.
When Orson Welles was acting in 'Compulsion,' the director Richard Fleischer let him just take over and direct the courtroom scenes. To be able to see Welles - who knew more about directing than anyone - direct himself and the other actors, it was unbelievable and unforgettable.
Actually, when John died, for the first time I thought - for the first time I realized how old I was, because I'd always thought of myself - when John was alive I saw myself through his eyes and he saw me as how old I was when we got married - and so when he died I kind of looked at myself in a different way. And this has kept on since then. The yellow corvette. When I gave up the yellow corvette, I literally gave up on it, I turned it in on a Volvo station wagon.
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