A Quote by Maira Kalman

I live in a small world of gouache and brush and pen and ink. I'd like to explore the world of multiples - etching and prints. — © Maira Kalman
I live in a small world of gouache and brush and pen and ink. I'd like to explore the world of multiples - etching and prints.
I use a quill pen dipped in India ink. I also like Faber-Castell brush pens and Pigma Micron pens. And I work on Duo-Shade board.
I'm not a writer. I marvel at writing. I am sometimes absolutely astounded when I read something and I think how in the world did that man or that woman sit down at a typewriter, a computer or a pen and an ink well, and seemingly have nothing come between their heart and that pen.
The pen is very quick for getting stuff from your brain to the page. I can do hieroglyphics in the margin. There are days when I really enjoy the flow of ink. I mean, nice pen, ink straight on to the page.
I use Pilot's document ink, but their drawing ink is OK, too. It's just that I don't like the impression that clings to the pen tip.
I have had sculptures cast in bronze, silver and aluminium. My drawings are all graphite or pigment ink and gouache on paper.
I can do hieroglyphics in the margin. There are days when I really enjoy the flow of ink. I mean, nice pen, ink straight on to the page.
Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it.
I remember when the Bic pen was controversial. They came from France. They were cheap, and when one was out of ink, you threw it away; you didn't dip it into more ink.
I could buy myself paper, a pen, a pencil and a brush and could create pictures whenever and wherever I wanted. ... That evening, in the spring of 1947, on the embankment of the Seine in Paris, at the age of thirty, I saw that it was possible to live and work in the world, and that I could participate in the exchange of ideas that was taking place all around, bound to no country.
A book calls for pen, ink, and a writing desk; today the rule is that pen, ink, and a writing desk call for a book.
I have 17 full-time archivists working for me who put away in books all the diversity of artwork I do, from drawing to etching to monotypes to prints to lithographs.
A book should long for pen, ink, and writing-table: but usually it is pen, ink, and writing-table that long for a book. That is why books are so negligible nowadays.
The reason we personify things like cars and computers is that just as monkeys live in an arboreal world and moles live in an underground world and water striders live in a surface tension-dominated flatland, we live in a social world.
I would rather live in a world where my life is surrounded by mystery than live in a world so small that my mind could comprehend it.
I try in my prints to testify that we live in a beautiful and orderly world, and not in a formless chaos, as it sometimes seems.
It is the world, my boy," he said. "All the World, in ink and blood, vellum and parchment, leather and hide. It is the World, and it is yours to save or lose.
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