A Quote by Maira Kalman

You'd have to be completely crazy not to be influenced by and take from other artists. It's completely impossible not to. — © Maira Kalman
You'd have to be completely crazy not to be influenced by and take from other artists. It's completely impossible not to.
Calculated risks are part of what you do, but the idea that something completely crazy will work just because it's completely crazy is completely crazy.
I think I would love to do a role where I completely transform myself and look completely different, act completely different, and do some crazy, cool, action drama where I was undercover and saving the world.
You know, artists are influenced by other artists. We're all deeply influenced by what's around us; we don't make anything cold. Sometimes we think that we do. But within that, the most important part is that even though we're influenced, what are the levels of invention that we carry forth even as we've been influenced by something that's come before?
I've been influenced by so many great people , like Sam Moore, Wilson Pickett, Otis Redding, John Lee Hooker, B.B. King, so many great blues and soul artists that I completely revere. So it's strange for me, actually, to hear somebody say, 'Oh, I was deeply influenced by your music.'
Craziness is good. Crazy people are happy, free, they have no hindrance. But since you have many attachment, you are only a little crazy. This is not crazy enough. You must become completely crazy. Then you will understand.
I do admire a lot of artists now who are completely multi-faceted - they're doing seven different jobs all at once and it doesn't seem to faze them whatsoever. It just astonishes me completely and I have nothing but admiration for them.
I studied engineering at MIT. There, the late, great physicist Philip Morrison introduced me to the idea that, in any system, there exists the inevitability that an event will occur which is completely unrelated to anything that preceded it. It completely changed my perception of "impossible."
It is only too true that a lot of artists are mentally ill - it's a life which, to put it mildly, makes one an outsider. I'm all right when I completely immerse myself in work, but I'll always remain half crazy.
I either want to be completely recovered or completely emaciated. It's the in between that I can't stand, the limbo of failure where you know that you haven't done your best at one or the other: dying or living.
It's impossible to fail completely and it's impossible to succeed perfectly.
When I go home, I am a slug. I want to do everything completely opposite of what I do on the red carpet. I like to take off all my makeup, put on a t-shirt, be completely unassuming and just do stuff with my husband and my daughter.
When I'm doing my best is when I'm completely focused... You completely wipe off any thoughts of the future, there's nothing going on in the past, you're just completely locked in on the moment, and there's no thinking, you're zoned in on this moment in time.
It was all completely serious, all completely hallucinated, all completely happy.
Somebody like CM Punk, who stands up and says he's completely sober - he doesn't even take a drink of champagne in a toast because that's just not him - he's a man that's completely full of integrity; you've got to respect that.
You could imagine something like a completely automated system for renting bikes that's just done completely over blockchain crypto-payments. And theoretically just sort of start it up, and it works completely autonomously.
As a woman, birth control can really mess you up. Like, I switched and it completely messed me up - not completely, but I just started breaking out and as soon as I got off it, my skin was completely clear again.
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