A Quote by Maisie Williams
I just think something about being in front of a live audience when you've finished a big dance that you've been working on for so long - I don't think anything can really beat that.
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To have a platform like So You Think You Can Dance, where you're reaching this audience that's been created over the 10 years that they've been on the air. People who didn't know anything about dance and aren't going to go to the theater are learning about it, even if it's ballroom and jazz, by just turning their television ono. They're building this audience that's advanced and educated enough to introduce them to ballet.
I think I'm better wired for television. I love variety as far as a project. I'm easily bored and the schedule of a television show, it just keeps you going. I love theater and I think doing a sitcom in front of a live audience is the closest you can get to theater, and it's really the best mix of like standup and theater, is really a sitcom. I started as a standup and I still continue to do that as well, so I think I'm just a TV guy and happy for it. I think my movie career is kind of like my social life, I'm picky and not in demand. So it perhaps is working out.
There's something about being in front of a live audience that's fun. It's a really interesting, very electric, very alive, and intense experience, and you can't get it anywhere else. And I've been doing it since I was 23, so it's part of my being - it's part of my fabric as a person.
When we think about making the people in the audience happy, or trying to make them feel something, it kind of goes to waste. Usually we have our best skates when we just think about each other, and we just think about being in unison, and think about the program we're trying to do.
I don't understand choreographers who say they don't care about the audience or that they would be happy to present their works non-publicly. I think dance is a form of communication and the goal is to dialogue with the audience. If an audience member tells me they cried or that the dance moved them to think about their own journey or a family member's, then the work is successful.
I don't really think about dance except just before rehearsals start. I put it off. I don't live my life thinking about dance.
I don't really think about dance except just before rehearsals start. I put it off. I don't live my life thinking about dance
Coming at the acting business as a technician, I really enjoy the process of working. I really enjoy being in a rehearsal room, starting a theatre piece for the first time. I really enjoy shooting in front of the crew, and I really love going on location. I think all that is just so exciting. So I've never really been drawn into the fame of being an actor, which in L.A., is part and parcel of the deal. I think for a lot of people, especially kids, it's hard to not get wrapped up in the world of the perks that the job brings.
I would like to do something really big and then something really small, and see what it's like to work in that way, but in front of a live audience.
Being a working mother is not easy, but I think it helps you choose what's important in your life. If I think about starting a new project - whether it be music, a movie or a fragrance - I always stop and think: Is this something I feel really passionate about? That way, if I'm not at home at least it's for something I really love, and my son can look up to that.
I think when you're younger, as an actor you have much more of a notion that you are doing something to the audience. But with experience, I think you begin to worry less about what the audience's experience is and concentrate on working with the other actors, and that tends to let the audience do more work.
To get large groups of people to dance, there needs to be something accessible about the music. The beat can't be too esoteric, but unless we're talking about prog or etherealist composition, I think there's something simplistic about most music. What's completely insane to me is that people would consider music that's simple to be dumbed-down. Couldn't simplicity be a deliberate, smart choice? Those people aren't really listening; they're judging a song off of a beat, off of a pulse.
Dancing is very important to people who play music with a beat. I think that people who don't dance, or who never did dance, don't really understand the beat... I know musicians who don't and never did dance, and they have difficulty communicating.
Being able to influence the outcome, being able to do something about it, to be able to stop the bleeding. You're not being useful if you're just standing there going "Oh, that's awful!" You're only useful if you actually do something about it and I think that goes for everything. If you actually do something about what's in front of you, then you are actually contributing and you haven't got time to be self-centred or sorry for yourself. You should be doing something about the person you really should feel sorry for.
If you agree to do a sex scene, you have to be willing to not be awkward about it. C'mon! I don't think of it as anything other than a dance, really. I don't see that person. I don't think of me being me.
I appreciate an audience that reacts to the music, even if they jump on stage and try to beat us up, I think that's a fantastic reaction. I think that they're really hearing something then.
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