A Quote by Maisie Williams

I once had someone say to me in an interview, 'You are more ugly on the screen than in real life.' — © Maisie Williams
I once had someone say to me in an interview, 'You are more ugly on the screen than in real life.'
If someone is brought in for an interview, for example, and is asked about their views on things, but has posted things that are completely contrary to the interview, frankly I have much more faith in what they posted than what they say during the course of an interview.
The things that scare me are real life situations. Real life is much more scary than anything you can put on the movie screen. Which is why I get very upset when people try to blame the movies for the violence in this world. I'm like 'Are you kidding me?'. There is more violence in a four hour period on CNN than any movie I have in my massive collection.
My rule is that if I interview someone, they should never read what I have to say about them and regret having given me the interview.
Real isn't how you are made. It's a thing that happens to you. Sometimes it hurts, but when you are Real you don't mind being hurt. It doesn't happen all at once. You become. Once you are Real you can't be ugly, except to people who don't understand. Once you are Real you can't become unreal again. It lasts for always.
Building a character - nothing gives me more high than the process of exploring someone else's life on screen.
With cab drivers, I always say I'm from Brazil. I don't say I'm from Israel. It's happened more than once that someone is blaming me for the government's policy. And I say, 'Listen, I live here. I'm a musician. I don't call the shots.'
More than once, I've wished my real life had a delete key.
Writers have told me more than once that I'm a better interview in defeat than in victory, which is a compliment I am extremely proud of.
Things like engine technology used to be hugely restrictive. You couldn't have more than one baddie on screen, you couldn't have more than three arrows firing at once. Now, you can say, 'I want 20 monsters, and 30 weapons,' and there isn't a technical string attached.
The great crime which the moneyed classes and promoters of industry committed in the palmy Victorian days was the condemning of the workers to ugliness, ugliness, ugliness: meanness and formless and ugly surroundings, ugly ideals, ugly religion, ugly hope, ugly love, ugly clothes, ugly furniture, ugly houses, ugly relationship between workers and employers. The human soul needs actual beauty more than bread.
I don't mind anyone asking me any questions, I've got nothing to hide. I like it to be as real as it is; that's what I call an interview. I'm not someone who's like 'Right, you can't ask this, that, this, that, this, that.' It's got to be a real interview. I've literally got nothing to hide.
I realize how myself and other people have started to almost fool ourselves that it's more important to us and more real than the real world, the offline world, and we value looking at our phone and pixels on a screen more than connecting eye to eye with a human being, which is terrifying to me because we're becoming robots.
Someone once told me that there is more to life than golf. I think it was my ex-wife.
Previously, someone would interview me, and if they liked me, it'd be a great story. If they hated me, it'd be a horrible story. I had no way to say anything. Social media changed things for people who didn't have a voice.
I developed this fantasy world. I found that that was much more fun and more interesting and exciting than real life was to me. Then, once I got the guitar going when I was a teenager, I set sail for the direction I've been in my whole life.
Ugly is attractive, ugly is exciting. Maybe because it is newer. The investigation of ugliness is, to me, more interesting than the bourgeois idea of beauty. And why? Because ugly is human.
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