A Quote by Maisie Williams
For every three scripts that you get through, one will be made, and that doesn't even necessarily mean that they're going to cast you in it.
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When you cast somebody you cast them not only for... I look for an inherent kind of quality. You are going to be shooting 14 hour days and you are going to be tired. You are going to not necessarily be able to conjure armor or a façade every single moment.
I'm not in a situation where you get a thousand scripts. You want to make a living, you want to put your kids through school. I'd rather do three bad films that pay well than do one good film every three years that doesn't pay well. ... To me, if you can get a steady check in this business, you're doing okay.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
I mean, I've sold all these scripts and nothing's been made. Studios have closed, stars have died. I had a director find Jesus. And the pictures just don't get made.
A trap screenwriters can fall into is making scripts that are good reads, which doesn't necessarily mean it will make a good film.
I've got a big closet of scripts, and a big stack of scripts on the side of my desk, because you get a whole bunch. Nothing's going to be perfect, and I realize that; but I am a perfectionist, so you go through a lot of stuff.
Lots of scripts are written and not made, even scripts that people want to make.
There's not one film that I've ever made that could get made today by a studio, not one - even 'A Few Good Men' because it's an adult courtroom drama, and studios do not make them any more. And so every movie that I make, have made and will make is always going be independently financed.
Being in relationship is not living in a fantasyland and don`t think that everything's going to be perfect all the time. You will go through phases where you're just not getting along. You're not communicating well. That's going to happen, and it's going to feel impossible to you sometimes. It might not even make sense to you sometimes. Arguments are normal. You have to be patient and sit through that and remember that this is a part of human communication and interaction. You're going to have these conflicts with anyone. It's not necessarily just that person.
There are many great writers out there and, actually, great scripts. The problem is - and this is what I've always felt, even when I got out of school and started reading scripts - the really smart, character-driven stuff tends to be smaller films, and they just don't get made.
I've always heard that you'll know, but I never understood it. With Peter, we even broke up after we dated for a year, for two or three months, but I still knew. I knew there was something different about this union. Even through the hard times, it was like "How are we going to get through this?
What you don't get necessarily at drama school is a gigantic mix of people. At university, there's people from every social background, and you get to go through that period of being naive and not quite sure who you're going to be.
I'm such a believer in going to set, even when you're not working, because I think the best things to be learned, you don't necessarily get from your own scene or from someone speaking to you and telling you advice. I think it's all about watching and just taking it all in. It's not even when the cameras are rolling, necessarily.
You get rich through luck. You get rich through crime. You get rich through fulfilling the needs of another. You can be as greedy as you like. If you can’t do one of those three things, you ain’t going to get any money.
You get rich through luck. You get rich through crime. You get rich through fulfilling the needs of another. You can be as greedy as you like. If you can't do one of those three things, you ain't going to get any money.
Every time you do a take on a movie, you're not sure if it's going to succeed. Even if you have a great cast, like we had, every scene you're kind of waiting for the release. 'Oh, yes; it happened. We got it!' There's always the possibility that it's just not going to work.
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