A Quote by Maisie Williams
As soon as someone finds out something you're insecure about or that bothers you, they will use that against you, which is awful.
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If your partner asks you if something bothers you, and something bothers you, the best thing you can do is say, "Yes, it bothers me." Otherwise you create a situation where they think everything is fine, continue with the offending behavior, while you build up a secret reservoir of resentment that will eventually come pouring out, to their shock.
At the heart of the best documentaries, there is a journey of inquiry - someone who travels out into the world, comes back with a story, and who then finds meaning in it, and intrigue; someone who tells you about something you never quite knew before, or in a way you hadn't quite thought about.
People think I'm against critics because they are negative to my work. That's not what bothers me. What bothers me is they didn't see the work. I have seen critics print stuff about stuff I cut out of the film before we ran it. So don't tell me about critics.
Someone will say, 'Well, that's good enough.' As soon as I hear 'Good enough,' it really bothers me. I spend as much time as I think I can on anything I do. I try to do that with the people that work with me. I try to get the best out of them.
If you're a good fighter on the street, you don't have to tell anybody that you're good at fighting. Let someone else talk about how great you are at this or that or whatever is the case. And if no one finds out then no one finds out, that's fine too. But I think leading by example is always the strongest.
If something bothers me, it bothers me for a long time until I find a way to work it out. Music provided me with a means of working things out.
Under the natural course of things each citizen tends towards his fittest function. Those who are competent to the kind of work they undertake, succeed, and, in the average of cases, are advanced in proportion to their efficiency; while the incompetent, society soon finds out, ceases to employ, forces to try something easier, and eventually turns to use.
So I always think its important to allow someone to reveal themself. If you notice something about someone that you like, it could really tell you something about who they are during a time of trial. The truth will come out.
So I always think it's important to allow someone to reveal themself. If you notice something about someone that you like, it could really tell you something about who they are during a time of trial. The truth will come out.
I will use a form of punctuation of my own, which will be something like this - when one is beginning he takes a long breath, for this use a capital. When he stops for breath, a comma, and when it is all gone, a period. Don't know the use of a semi-colon, but expect it is when one thinks he is out of breath and isn't.
Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.
We academic scientists move within a certain sphere, we can go on being useless up to a point, in the confidence that sooner or later some use will be found for our studies. The mathematician, of course, prides himself on being totally useless, but usually turns out to be the most useful of the lot. He finds the solution but he is not interested in what the problem is: sooner or later, someone will find the problem to which his solution is the answer.
I like to find characters. Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.
When a man finds a conclusion agreeable, he accepts it without argument, but when he finds it disagreeable, he will bring against it all the forces of logic and reason.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
If someone who doesn't know anything about wicketkeeping finds a reason to criticise, you have to sift it out. It's about working out how to deal with the criticism while improving your game.
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