A Quote by Makoto Shinkai

When we were doing 'Five Centimeters Per Second,' at that time, Japan was in an era when it felt nothing would ever change, so I wanted to make a movie that reflected that feeling.
I knew I wanted to shoot in Japan early on. Years ago, we did a Japan segment in "The Community Project," and at the time I felt it was one of the better Japan segments ever captured.
For a long time, almost 14 years, I wrestled in Japan, so I didn't think I would leave New Japan Pro Wrestling, but I started changing my mind. I wanted to see the other world. I wanted to change something. I wanted to be bigger.
Last time I checked, the digital universe was expanding at the rate of five trillion bits per second in storage and two trillion transistors per second on the processing side.
Race? It is a feeling, not a reality. Ninety-five per cent, at least. Nothing will ever make me believe that biologically pure races can be shown to exist today.... National pride has no need of the delirium of race.
Every time you try to make another movie, you never know what will come of it. I can't say it ever gets easier, but it is in it's own way gratifying. I think that because no one movie that you make ever quite satisfies you, you're always feeling, "Next time I can get it right."
The first thing I did as a child was draw. I wanted to make animated movies. I think Disney's 'Cinderella' was the first movie I ever saw. 'Peter Pan' was the first movie I ever saw in the movie theater. I grew up with 'Dumbo' and 'Pinocchio' and 'Sword in the Stone.' Those were the movies I wanted to make.
When I was growing up, all the films about teenagers were played by Tony Curtis or John Cassavetes when they were 27, 28 years old. We would see these teenage movies in the theaters and I would say, "They don't look like they're my age at all." So I wanted to make a movie that was real and I wanted to make a movie that wasn't about me.
On 'The Spy Who Dumped Me,' it wasn't fear as much as it was feeling overwhelmed because there were so many moving parts. But I felt that I knew what I was doing. And on a movie like this, there's so much preparation that goes into it that by the time you were there, you had done months of planning.
Because I knew we were going to wear five inches during the pageant, I would train with six inches. So, when it was time to wear the five-inch heels, they felt like nothing to me.
When I'm doing a movie, I'm not doing anything else. It's all about the movie. I don't have a wife. I don't have a kid. Nothing can get in my way... I've made a choice, so far, to go on this road alone. Because this is my time. This is my time to make movies.
It all felt like a terribly long time. It would have meant that I had to make five movies in five years and if you don't like the movies, too bad. I guess I just wanted my freedom, and I think my life has been incredibly enhanced as a result.
If actors could actually make a living doing theater, that would be my first choice. Sitcoms are the closest thing to being onstage in front of an audience. If I had to choose, it would be theater and doing the occasional movie once in a while, and spending time doing nothing.
I was doing a children's book on self-esteem, and I really felt like I wanted to shed the shame I'd been feeling - and maybe make it easier for women my age who had probably felt bad about themselves.
It felt really nice to not have anybody talking about numbers, and no one is talking about ratings. From my experience, it felt like there was one person running the ship and it felt like there was space for Jenji to be at the helm. That's not what I've experienced in television before. It felt more akin to an interesting movie, where there were producers who were really excited by the work and wanted to make space for the director's vision to be sort of shared with an audience. It felt more cohesive.
Life would go out in a 'fraction of a second' (that was the phrase), but all night he had been realizing that time depends on clocks and the passage of light. There were no clocks and the light wouldn't change. Nobody really knew how long a second of pain could be. It might last a whole purgatory--or for ever.
Seeing ourselves reflected in stories gives people the courage to keep doing what they are doing or make a change.
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