A Quote by Malachi Kirby

'Roots' focuses on a particular group of people who defy the odds and win, eventually, even if it isn't in their lifetimes. This is, for me, a very positive story and a very empowering one, if only we have that perspective on it.
The people I coach are very successful people, so it's very hard for winners to not constantly win. Even if it's trivial and not worth it, we still want to win - because we love winning. It's a very deep habit.
To make magic credible on screen is always very difficult. The story is the most important thing. That is what should win. If sacrifices or compromises are made, it's usually for story. Story in magic is very, very important to me. That's what I've really championed through my career.
I am very lucky, I have a very tight group of friends and a very supportive family, and to this date no-one has ever sold a story on me.
I'm pretty, for lack of a better word, happy-go-lucky. I take things very seriously, but I'm very aware of people around me. I like to be part of a group that's working together towards something positive.
It's interesting for me to do the commentary with the actors because, as a director, you're so in your own world that you see it from your perspective, your issues and what you were trying to do, and then it's really very fun to hear their perspective on how it was to do a particular scene or how they felt, and sometimes, I didn't even know that, at the time.
Country music... doesn't bend notes in the same way, so I suppose it's very English, really. Even though it's been very Americanized, it feels very close to me, to my roots, so to speak.
Every animated film that I've worked on - whether it was as a story artist or as Head of Story or even as director - where we originally started out with our story and where we eventually ended up were often very different places.
For African American children, in particular, the odds are extremely high that they will have a parent or loved one, a relative, who has either spent time behind bars or who has acquired a criminal record and thus is part of the under-caste - the group of people who can be legally discriminated against for the rest of their lives. For many African American children, their fathers, and increasingly their mothers, are behind bars. It is very difficult for them to visit. Many people are held hundreds or even thousands of miles away from home.
Very gifted people, they win and they win, and they are told that they win because they are a winner. That seems like a positive thing to tell children, but ultimately, what that means is when they lose, it must make them a loser.
Move only when you have an advantage. It's very basic. You have to understand the odds and have the discipline to bet only when the odds are in your favor.
One night, I was lying in bed, and I was channel surfing between reality TV programs and actual war coverage. On one channel, there's a group of young people competing for I don't even know; and on the next, there's a group of young people fighting in an actual war. I was really tired, and the lines between these stories started to blur in a very unsettling way. That's the moment when Katniss's story came to me.
One thing that we have found over the years is that video games themselves are a thing that have a tendency to be difficult for them to break out of a particular segment, or a particular group, or a particular group of people with particular interests.
It's easy to get into the competition of F1, and you are never going to win every race even though you want to. So when you're not winning, you want to win, so you're not that happy. But you have to look at the big perspective, and I am very fortunate to be one of 22 in the world to do this.
The Internet is empowering everybody. It's empowering Democrats. It's empowering dictators. It's empowering criminals. It's empowering people who are doing really wonderful and creative things.
Authority can mean different things to different people. For example, some document or other may be authoritative for particular group even though it's not reliable. It's just that the group has accepted that document as authoritative for their group. And some documents are truthful and reliable but they are ignored, so they have no authority for that particular group.
To me, when one is writing sometimes about a very specific subject with very specific people, I feel like if that story doesn't cross over, it's not working. That's very beautiful to me, to be sitting in Berlin and there's an actor reading my book in German. I don't even know what's going on, except I know to feel my own rhythms in another language and say, "If this is going well, I think everyone should laugh around now." Then maybe there's laughter, and for me, it reminds me of how story can move around the world.
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