A Quote by Malcolm Bradbury

Culture is a way of coping with the world by defining it in detail. — © Malcolm Bradbury
Culture is a way of coping with the world by defining it in detail.
The irony of the media and people in big cities is that they're charged with defining the entire culture, when in reality they don't even live in that culture. They live in such a rarified, tiny world.
As a general habit and general tendency, I prefer not to bog a piece down with a great number of transitory, contemporary references, because in the end, I'm concerned, not in an abstract way, but an actual way, with creating a world which has a universality to it - even though what goes on is made up of texture and detail, contemporary detail.
Movies have a way of distilling moments in our culture, and 'Gravity' may be the defining film for the lost-in-space year of 2013: Nothing works.
I have my way of dealing with lows in my career: I just go on a holiday. Coping with a failure of a film is like coping with a break-up. It's sad and heart-breaking, and it's not like I got over it right after my holiday; it took me some time.
There is a force of exultation, a celebration of luck, when a writer finds himself a witness to the early morning of a culture that is defining itself, branch by branch, leaf by leaf, in that self-defining dawn, which is why, especially at the edge of the sea, it is good to make a ritual of the sunrise.
As a writer, I find that a good way of evolving a character is through an examination of his or her defining relationships - and what's more defining than a relationship with someone you love?
I'm still coping with my trauma, but coping by trying to find different ways to heal it rather than hide it.
If it were possible adequately to present the whole of a culture, stressing every aspect exactly as appears in the culture itself, no single detail would appear bizarre or strange or arbitrary to the reader, but rather the details would all appear natural and reasonable as they do to the natives who have lived all their lives within the culture.
There's this responsibility you feel to present a certain thing that kind of respectability politics. I think that became the only accepted way of defining black culture. I started to become too aware of 'How does this look?' instead of 'Who are these characters?'
I went back to the stage because it was my way of dealing with the success I had, my way of coping. It was a way of escaping the responsibilty of what was happening.
Hip hop - it's an art form but it's a culture as well. You grow up in the culture and you never leave it. It's a style of dress; it's a way of thought. I always grew up in the culture, and it was part of who I was and I carried it into every world I was in.
...culture is useless unless it is constantly challenged by counter culture. People create culture; culture creates people. It is a two-way street. When people hide behind a culture, you know that's a dead culture.
Half of Wisconsinites are considered alcoholics. It's part of the culture of Wisconsin... if self-deprecation is their survival instinct, alcohol is their coping mechanism.
My audience here in America is so eclectic. It's a real mix of people, which is great. Like what I was doing with Culture Club - world music, multiculturalism - not defining everything in terms of sexuality or color. It was about everyone coming together and being part of something.
Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.
We have two strategies for coping; the way of avoidance or the way of attention.
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