A Quote by Malcolm Brogdon

As a three shooter, seeing one go through the net, that's all you need to just be shooting it confidently again. — © Malcolm Brogdon
As a three shooter, seeing one go through the net, that's all you need to just be shooting it confidently again.
I didn't so much think I needed to address the shooting need. What we needed was somebody who could come in and play the two-three (shooting guard-small forward) spot. If he could've been a pure shooter, great. But if not, we still needed somebody to give us minutes there. I like the guys we've got.
I never think about missing a free throw. All that goes through my mind when I'm at the line is seeing the ball go through the bottom of the net.
Steph is the greatest shooter of all time. Shooting off the rack is not indicative of being a better shooter than Steph Curry.
I go through periods, usually when I'm editing and shooting, of seeing only old films.
Oh, yeah - I could see myself as a catch and shooter, come off curls and shooting. I really feel good about shooting the ball.
I want to be shooter, be competitive, go to the net, so it has changed, but it hasn't changed that much. It's more skating than it used to be for sure.
I'm a really good shooter, three-point shooter. I'm good at defense. Dribbling, not so much.
There are a lot more shots coming at the net and guys are just shooting it at the net because they have more time and pucks are going in off legs and feet and shoulders and heads, so you might have to play out a little further on the shot and hope it hits you.
In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.'
Nerves are always a big problem for me, which is why I loved doing American sitcoms. Because you know when you do the take in front of the audience that you're going to do it again afterwards. A minute after you finish, you just go and do it again. So, there's that sort of safety net. And then if you made a little mistake or two, they'll go pick it up, so there's nothing to worry about.
To see the universe as it is, you must step beyond the net [the matrix]. It is not hard to do so, as the net is full of holes. Look at the net and its many contradictions. You do and undo at every step. You want peace, love and happiness, and work hard to create pain, hatred and war. You want longevity and you overeat. You want friendship and you exploit. See your net as made of such contradictions and remove them - your very seeing them will make them go away.
My form is improved and I'm just continuing to improve. I want to come back as a shooter. A knockdown shooter.
I'm a shooter. You don't lose your shooting touch.
Literally, people probably came up with a budget and said, 'It'll be cheaper if we cut down the prep,' but it's not cheaper, because then you're shooting, you're fumbling through the movie and you are prepping at three times the cost because you're quadruple-time as you're shooting and then prepping after you're done shooting.
When I was a freshman, I fooled around with shooting free throws this way: For some reason, I thought you had to stay within the top half of that free-throw circle, so I would step back to just inside the top of the circle, take off from behind the line and dunk. They outlawed that, but I wouldn't have done it in a game, anyway. I was a good free throw shooter in college." Actually he was a 62% free throw shooter, which is poor except in comparison to his 51% as a pro.
My wife says that stage acting is like being on a tightrope with no net, and being in the movies, there is a net - because you stop and go over it again. It's very technical and mechanical. On stage you're on your own.
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