A Quote by Malcolm Cowley

Going back to Hemingway's work after several years is like going back to a brook where you had often fished and finding the woods as deep and cool as they used to be. — © Malcolm Cowley
Going back to Hemingway's work after several years is like going back to a brook where you had often fished and finding the woods as deep and cool as they used to be.
Twitter's had a little fun with me because I say, 'I'm going to circle back. I'm going to circle back.' Now, I will say, and my very hardworking team can confirm, I'm obsessed with circling back with reporters, and not just saying it, but after the briefing getting back to them.
The beauty of Broadway is that if I'm 60 or 70 years old, if they'll accept me back, I can go back. So I think for right now I'm going to focus on the music--it's the new baby--and see how it's going to work out, and then maybe in a few years maybe I'll go back.
Not going back is fine. Not going back but occasionally visiting might be best. Not going back but remembering so you don’t see the same view twice. Not going back so you can turn a new page, write a new chapter, develop an entire new list. Not going back so you can stretch and grow and see yourself in a light that you never knew existed. Not going back so that you can fly. Fly.
A lot of the cities where we have a strong following, we don't even get to every year anymore. But Stony Brook was a place that, from the very first time we went, the chemistry was right. They loved us, and we loved them, and we just kept going back and going back.
When people make the educated argument that things should go back, it's more like going back to a feeling they had when they heard some of the music that came out. Not going back to that music being rehashed. That's stupid.
I've never been the big recording star I'd love to be some day. I've had lots of hits off and on through the years but I've never had the success of other artists - one hit after another back-to-back-to-back and big hits, where every song is going to be number one. I'm not greedy or nothing. I just want everything. Is there something wrong with that?
[Paul McCartney] never, at the time, was going back to leaning back on the roots of his old band. He always built upon where he was, which was in London. And he didn't overuse synthesizers. He used them just enough. It's such a cool sound.
Going through college a Red Sox fan and knowing the history behind everything that was going on back in the '80s and finally getting a chance to win a World Series for this great city and bringing it back after 86 years, it was truly special, and it's one of the highlights that I'll remember for a long time.
After we finished touring 'Ignore The Ignorant' we had this perfect idea that we were going to take a couple of years off, that was the plan. Because we thought we were definitely going to take time off, I was going to go back to college, that was what I was going to do. Because the whole idea of it was that I have spent ten years in this band and not even realised that that amount of time has passed.
A couple years ago I was going to back off and actually thought about retiring, but it keeps calling me back, and I'm going to keep going back as long as it calls me. I really think it has something to do with the good vibes that I feel I've spread through my performance and through the time that I've spent with fans.
I was vegetarian before. I got into a relationship that didn't work out for several reasons, and I went back to my vegetarian ways after the relationship to shed the weight that I had gained, as that can often happen.
The plan wasn't to rap. So, I got out for a year. I got back in the streets, back out here. Then, it wasn't workin', like, I kept going broke. I kept finding myself back at zero. I kept finding myself in trouble, so I told Durk, 'I'm ready to rap now. I'm ready.'
I wasn't going to be able to re-grow my ACL back overnight. I was where I was with this and I just had to accept it. I had to stay focused on getting back. Honestly, I kind of felt in a weird way lucky because it was 12 years into my career that this happened.
When you look at Banksy's work as a catalogue of ideas, it's undeniably brilliant. Going back to my days doing stencil work back in the 80s I knew that it wasn't exactly the most demanding work: it's like printing, but then Warhol was a printer.
I like going after work back to Brooklyn because it is so much more relaxed and chill.
I enjoy going back to work now because cinema is going through an exciting period because young people are now going back to the movie theaters. But things are different though.
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