A Quote by Malcolm Forbes
Most oldsters are fascinated by the Future, while the young love to look back to earlier days, especially their own.
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Yeah, it's odd when you look back at your own work. Some filmmakers don't look back at their work at all. I look at my work a lot, actually. I feel like I learned something while looking at stuff I've done in terms of what I'm going to do in the future, mistakes I've made and things at work or what have you.
After spending 460 days as a hostage, I did emerge a fundamentally changed person. But I think, like everyone does as they grow older and probably wiser, I can look back at my earlier life - my history, my mistakes, the joy I felt as a young woman traveling the world - with some objectivity and even some humor.
Most people are fascinated by what I did as a teenager, but when I look back at my life, I don't think very much about those years. I was an opportunist and got away with things because I was very young, but I went to prison and came out and remade my life.
I regard a love for poetry as one of the most needful and helpful elements in the life-outfit of a human being. It was the greatest of blessings to me, in the long days of toil to which I was shut in much earlier than most young girls are, that the poetry I held in my memory breathed its enchanted atmosphere through me and around me, and touched even dull drudgery with its sunshine.
Sorrow, anger and resentment look back, worry looks around, while faith, hope, and optimism look to the future.
I tend not to look too much back; I tend to look forward. So, I suppose, I know, I've had probably most of my life, and there's less going forwards than there is going back, but I prefer to look in the future.
The future is an unknown, but a somewhat predictable unknown. To look to the future we must first look back upon the past. That is where the seeds of the future were planted. I never think of the future. It comes soon enough.
Trust me, I have not earned your dear rebuke, I love, as you would have me, God the most; Would lose not Him, but you, must one be lost, Nor with Lot's wife cast back a faithless look Unready to forego what I forsook; This say I, having counted up the cost, This, tho' I be the feeblest of God's host, The sorriest sheep Christ shepherds with His crook. Yet while I love my God the most, I deem That I can never love you overmuch; I love Him more, so let me love you too; Yea, as I apprehend it, love is such I cannot love you if I love not Him. I cannot love Him if I love not you.
I try to look in the future and think backwards. That is when I am at my most comfortable. Because then I am just like the movie, 'Back to the Future.'
Since most heroes are doing villainous roles these days, that thrill is lost. Earlier, there used to be a hero, a heroine, a villain and such. The villain's entry would generate a lot of curiosity among the audience back then.
I’m not fascinated by people who smile all the time. What I find interesting is the way people look when they are lost in thought, when their face becomes angry or serious, when they bite their lip, the way they glance, the way they look down when they walk, when they are alone and smoking a cigarette, when they smirk, the way they half smile, the way they try and hold back tears, the way when their face says they want to say something but can’t, the way they look at someone they want or love… I love the way people look when they do these things. It’s… beautiful.
I can look back over my earlier music, and it takes me back to the place I was emotionally.
After centuries of dormancy, young women... can now look toward a future moulded by their own hands.
I look back on those early days in the theater like the beginning of a love affair, when you're totally in love with the work, and that's all there is.
While it may seem scarier in the earlier days, I think ultimately the blockchain creates a safer world.
When I look back on it, I think, "Why didn't you stop the cruelty earlier?" To stand back was contrary to my upbringing and nature. When I stood back as a noninterfering experimental scientist, I was, in a sense, as drawn into the power of the situation as any prisoners and guards.
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