A Quote by Malcolm Gladwell

People who bring transformative change have courage, know how to re-frame the problem and have a sense of urgency. — © Malcolm Gladwell
People who bring transformative change have courage, know how to re-frame the problem and have a sense of urgency.
That's how I am and how I've always looked at the world. I understood what the pavilions were before I came to Venice, and I knew that wasn't going to be enough for me. I wanted to extend this conversation into something I call urgency. There is urgency with people in crisis. Some communities - often the black community - just live in this urgency.
Students will want to address the issues that they have a passion for, but I think that the challenge to this generation is the challenge of the climate crisis. Young people bring more enthusiasm, knowledge and sense of urgency on that issue. This is as planet they will inherit, they have a responsibility for it as well, and part of that responsibility is to urge people in power to make the right decisions about how we go forward.
You need a continuous picture of how things are evolving, and not a slow series of snapshots where you don't know how frame A is related to frame B.
You have to realize: OK, I don't know how to solve a political problem, I don't know how to solve the pollution problem... all I know is in my own life, I need to figure out some sense of purpose, I need to figure out how to be happy... and I'm willing.
I was not a very popular kid in high school, and I had this idea that the way that I dressed would change how liked I was. It was that kind of Pygmalion story. I think, ultimately that's probably why I became interested in fashion, its transformative power, and how it can change your identity.
There is a sense of urgency and this is a time for teachers and I think that there is this psychic awareness with this new generation of seekers that they are here to teach and so that they really need to wake up fast, much like we did, because we know that we must show up at a very high level and so therefore I think that there is an unconscious sense of urgency like I need to do this and not just for me, but for something greater and they may not be able to put that into words, but they are experiencing it.
Students teach all sorts of things but most importantly they make explicit the courage that it takes to be a learner, the courage it takes to open yourself to the transformative power of real learning and that courage I am exposed to almost every day at MIT and that I'm deeply grateful for.
If you want to think new thoughts that are different, then do what creative people do - get the problem reasonably clear and then refuse to look at any answers until you've thought the problem through carefully how you would do it, how you could slightly change the problem to be the correct one.
You don't know how to fix the holes in our ozone layer. You don't know how to bring salmon back up a dead stream. You don't know how to bring back an animal now extinct. And you can't bring back forests that once grew where there is now desert. If you don't know how to fix it, please stop breaking it!
One does not become an atheist out of a desire for hassle-free Sunday mornings. People come to atheism because they have a problem with organized religion - usually a problem they consider to be of moral urgency.
Some people have much more pull than other people. But when I say that the public has ultimate responsibility, I'm not saying it in a moral sense. I'm just saying it in the sense of what is it that's really going to bring change.
In Re-framing, you interpret the event in a positive way. You change your language . Instead if defining it as a problem you re-frame it as a situation . A problem is something that is upsetting and stressful. A situation is something that you simply deal with .
Without danger I cannot be great. That is how I pay for Abel's blood. Danger and fear follow my steps everywhere. Without them courage would have no sense. And it is courage, courage, courage that raises the blood of life to crimson splendor.
We Americans write our own history. And the chapters of which we're proudest are the ones where we had the courage to change. Time and again, Americans have seen the need for change, and have taken the initiative to bring that change to life.
I grew up with a sense of tolerance. I don't know that there was any talk about gender differences. It was respect for people. So when I became a professional and saw that there were a lot of differences in the sense of how people lived their lives, I became respectful of their territory, of their thoughts and their ideas, and it was never a problem for me to feel that this is my sister, this is my brother.
All good dramas are rife with conflicts, and the conflicts have to be resolved. What I think is so great about a show that takes place in a hospital is that you have so many different people with different needs. Sometimes all those can be in conflict. The drama of Heartland also comes from the group of people waiting, and they are sometimes agonizingly waiting for a new organ for their body in order to survive. So the show is so much about survival, which creates a sense of urgency to get the organs. I think that sense of urgency is probably the most prominent dramatic quality to the show.
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