A Quote by Malcolm-Jamal Warner

When you're an independent artist, you need as much play or promotion as you can get. — © Malcolm-Jamal Warner
When you're an independent artist, you need as much play or promotion as you can get.
It wasn't supposed to work - being a new artist, a female artist, an artist on an independent. That's what made it so much sweeter when we hit No. 1.
Play small ball. Get back to basics. I would say that you need to be a conservative, but you need to maintain your independent streak.
I think that I'm a very independent person, so I need somebody who's independent and strong within themselves as well. I don't necessarily need somebody in order to get things done. I don't need a blanket, do you know what I mean?
My father was in record promotion in Los Angeles. He worked for Mercury Records, Capitol Records, and RCA Records. My parents divorced when I was about 9. In 1978, my dad moved to Nashville and opened an independent record promotion company, Mike Borchetta Promotions.
I'm a recording artist, a performing artist and a producing artist. All those things have everything to do with the outcome of my shows. I get myself studying every part of the game and not everyone has the characteristic to do that. In my mind, you need all three to become an artist.
A lot of artists feel it's not worth it to sign with a major label, because if you don't have a giganto hit, then you're not going to get a video made. You're not going to probably get much tour support. You're not going to get promotion. You're certainly not going to get a publicist who's going to pay much attention to you.
I don't know how much of a natural human I am. Y'know, the truth is, I never set out to do that, and I don't think of myself like that. I don't think like that. It's not really about promotion - I don't really understand the idea of promotion, talking to a camera for more money. That's just money. And I like money, don't get me wrong. I don't know. I don't get it. I don't understand it as much as you don't understand me, I think.
Our target is to get into the play-offs. If not, we want automatic promotion.
If it weren't for Criminal Records, Wax-n-facts and other indie record stores I could have only sold my CD's at my shows and by mail order as an independent artist. The greatest stores that have character and include a much wider range of music of music are all independent, mom and pop stores.
The truth is an artist like me who doesn't get the type of promotion that we see more commercial artists receive, and especially in this climate of the music business, you have to be creative about how you promote yourself.
I don't get a big recording budget or much promotion, but I have creative freedom.
If I am playing 18 ball, I aim to see how I can get my strike rate to 150-160. After 6-14 overs, you need to break down, that if you play half balls, then how much runs you need to get on the board.
You have independent films and independent music, but you don't have independent theme parks - I think, in a way, Burning Man is as close, probably, as you get.
I feel for the guys in UFC who helped open the UFC up. Obviously, I'm getting blackballed there by the UFC, so I'm kind of feeling on both sides. If a promotion or somebody in that promotion decides they don't like an individual, then they get to make up the rules, and the fans don't get a say in it at all.
Here was just not a lot that we could do as an Independent. We could barely make $100,000. It was nothing' else livin' on the independent scene, and I think we needed to get on the TV and be seen. We need to work really hard this time.
Anything you can do to express yourself is a form of art. That's why I love my craft so much. I always wanted to play other artists. If I can't play an instrument, then I want to play a character that can. There is an artist behind everything, and I think that's beautiful.
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