A Quote by Malcolm Morley

The paintings have a lot to do with the idea of seeing and doing, and the relationship between your hand and your eye, and the object. — © Malcolm Morley
The paintings have a lot to do with the idea of seeing and doing, and the relationship between your hand and your eye, and the object.
The object of your training in drawing should be to develop to the uttermost the observation of form and all that it signifies, and your powers of accurately portraying this on paper. Let painstaking accuracy be your aim for a long time. When your eye and hand have acquired the power of seeing and expressing on paper with some degree of accuracy what you see, you will find facility and quickness of execution will come of their own accord. Unflinching honesty must be observed in all your studies. It is only then that the ‘you’ in you will eventually find expression in your work.
There has never been a merging of two lives where significant problems of daily living did not occur. One way or another, your relationship is going to be affected. The only question is how. There's a big difference between knowing and doing. It's not what happens between partners that determines the outcome of a relationship, it's how they handle what happens. If all you deal with in your relationship is problems, then you will have a problem relationship. If you want your pound of flesh with full acknowledgement that you're right, your future will be dim.
The idea of, say, the compressed space between the floor and the object hanging over it and then the long space between the object and the ceiling was a kind of interesting idea for me - the idea of compressing and expanding. That was an idea that I worked with, which you could only do sculpturally. You can't really do with a painting on the wall.
I'm using the grid as formation. I wanted a relationship between the paintings and videos so that way when you are looking at the videos there's a direct relationship to the paintings.
When you are a rookie you are going through everything for the first time, your first DNP, your first not seeing eye to eye with a coach, first understanding trades happen, guys making more money play more. I was overwhelmed. I had a lot of maturing to do.
What most paintings do is give you a path for your eye to move around. The painting actually tells your eye, go here, now go here, now go here, go here. So all you have to do is look at it, give it a few seconds, and your eye will start to move through the painting.
There's a whole lot of people in trouble tonight From the disease of conceit Whole lot of people seeing double tonight From the disease of conceit Give ya delusions of grandeur And a evil eye Give you the idea that You're too good to die Then they bury you from your head to your feet From the disease of conceit
If you know the shape of the lens and the image you get, you can work out the path that light followed between the object and your eye.
In doing your best serving others for free, a lot of eyebrows will raise and sneers will curve many a - faces. But in the end those incredulous to what you put up with to help, no longer matter. It's not between you and those snobs, but with whom you have given your hand to lift, and of course to God who Is watching and noting it in your book.
Go out there and swear to this world your oath, not with your words, but with what you do. Not with your hand over your heart, but with your hand outstretched to a world that desperately needs your hand, your help, your insights, your creativity, your honor, your courage. It needs you.
When you're in morgue you're seeing life that no longer exists. It gives you an appreciation when you look someone in the eye, you shake their hand, and you hug your friends, your girlfriend, your family. It just gives you an appreciation for the life that surrounds you. At the same time you understand how fragile it is. That you don't need to be an idiot or get so angry at times.
Let your eye be chaste, your hand faithful, your tongue truthful and your heart enlightened.
In every object there is inexhaustible meaning; the eye sees in it what the eye brings means of seeing.
The more connections you and your lover make, not just between your bodies, but between your minds, your hearts, and your souls, the more you will strengthen the fabric of your relationship, and the more real moments you will experience together.
Your afflictions may only prove that you are more immediately under the Father's hand. There is no time that the patient is such an object of tender interest to the surgeon, as when he is bleeding beneath his knife. So you may be sure if you are suffering from the hand of a reconciled God, that His eye is all the more bent on you.
Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.
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