A Quote by Malcolm Muggeridge

I simply make this point, that the monarchy in so far, as it is identified with what is, in my opinion, an obsolete class structure, is making a mistake, and the task of those who are responsible for the conduct of the monarchical institution is to detach it from that class structure.
There isn't a class structure in Nigeria; there's a tribal structure and prestige as far as money is concerned.
There isn't a class structure in Nigeria, there's a tribal structure and prestige as far as money is concerned.
Money is what fueled the industrial society. But in the informational society, the fuel, the power, is knowledge. One has now come to see a new class structure divided by those who have information and those who must function out of ignorance. This new class has its power not from money, not from land, but from knowledge.
It's a global power structure that is responsible for the economic decisions that have robbed our working class, stripped America of its wealth and put that money into the pockets of a handful of large corporations and political entities.
Structure is what makes communication hang together. It's like the rails that a train runs on. Without them, things wouldn't move very far. If you only have time to do one thing in your presentation, make sure it has a clear and identifiable structure. Without this, you'll have no credibility. Once you've organized your ideas, if you step back and look at it, many times we've organized topics. We've strung together a structure with organized topics. At this point, change your topics into messages.
I think photography is so hard. To be working in video and photography the past 20 years - because I was doing it in high school - you're dealing with mediums that change culture. The way they are distributed, disseminated - it's changed so dramatically. One of the things I always like to do is look at the structure of something and detach myself from the structure and figure out how to slightly alter it. So if the structure itself is constantly liquidated, it just really is difficult for me to really even know what to think of Instagram.
The Magna Carta was the first class-based charter, enforced on the monarchy by the rising class.
I do not see class as a 'structure', nor even as a 'category', but as something which in fact happens (and can be shown to have happened) in human relationships... the notion of class entails the notion of historical relationship. ...And class happens when some men, as a result of common experiences (inherited or shared), feel and articulate the identity of their interests as between themselves, and as against other men whose interests are different from (and usually opposed to) theirs
Branches or types are characterized by the plan of their structure, Classes, by the manner in which that plan is executed, as far as ways and means are concerned, Orders, by the degrees of complication of that structure, Families, by their form, as far as determined by structure, Genera, by the details of the execution in special parts, and Species, by the relations of individuals to one another and to the world in which they live, as well as by the proportions of their parts, their ornamentation, etc.
To speak of certain government and establishment institutions as 'the system' is to speak correctly . . . They are sustained by structural relationships even when they have lost all other meaning and purpose. People arrive at a factory and perform a totally meaningless task from eight to five without question because the structure demands it be that way. There's no villian, no 'mean guy' who wants them to live meaningless lives, it's just that the structure, the system demands it and no one is willing to take on the formidable task of changing the structure just because it is meaningless.
Hollywood is a strange place. The class structure here is more rigid than almost anyplace I've ever experienced. It's made more difficult by the fact that it's constantly changing. You never know what class you belong to unless you're one of the two or three people that have been in the same echelon for a long, long time.
So they can create a class they don't like-here, homosexuals-or a class that they consider is suspect in the marriage category, and they can create that class and decide benefits on that basis when they themselves have no interest in the actual institution of marriage as married?
Class has always been a staple of British comedy. We've always been able to laugh at it. When British shows are translated to America, the absence of the equivalent class structure there often causes them to fail. But over here we've always got comic mileage out of it.
First of all, this whole idea of this one percent versus the 99 percent, it's a false statistic. There's nobody that is wealthy saying, let's go get the people that aren't. First of all, there's no versus. He's creating a false class warfare in a country where there is no class structure.
Every language having a structure, by the very nature of language, reflects in its own structure that of the world as assumed by those who evolved the language. In other words, we read unconsciously into the world the structure of the language we use.
There’s class warfare, all right, but it’s my class, the rich class, that’s making war, and we’re winning.
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