A Quote by Malcolm Wallop

So with the end of the Cold War, it became increasingly obvious that there was no basis upon which any decision was being made, not in the White House, and certainly because of that, not in the Congress.
The South Africans decided that they would like to prove to the world they did not have any nuclear weapons and their decision was not doubted because it was the end of the Cold War, it was also the end of apartheid.
It's hard for the White House to regain momentum if the Congress is in disarray. It ties up the Republicans in Congress and limits their ability to execute any White House agenda.
When you think about the abolition of slavery for example, for the ruling class with the rich white people owning plantations and states, and things like that, slavery was to their benefit. To oppose it didn't make any sense at all on a rational basis. But on a rights basis, on a principle basis, it made obvious, overwhelming sense.
I come out of a Cold War sensibility, a Cold War mentality, and during those Cold War years, I used to know, I thought, the answers to everything. And since the end of the Cold War, I'm just a dumb as everyone else.
Since the end of the Cold War, hegemonism has become increasingly unpopular.
This rose became a bandanna, which became a house, which became infused with all passion, which became a hideaway, which became yes I would like to have dinner, which became hands, which became lands, shores, beaches, natives on the stones, staring and wild beasts in the trees, chasing the hats of lost hunters, and all this deserves a tone.
There's a basis for the war, historically, in the 'Hunger Games,' which would be the third servile war, which was Spartacus' war, where you have a man who is a slave who is then turned into a gladiator who broke out of the gladiator school and led a rebellion and then became the face of the war.
This is a racist and imperialist war. The warmongers who stole the White House have hijacked a nation's grief and turned it into a perpetual war on any non-white country they choose to describe as terrorist.
When I bought my house in L.A., that was the best business decision I ever made, until the housing market crashed, and it became the worst business decision I ever made.
No one made a decision to militarize the police in America. The change has come slowly, the result of a generation of politicians and public officials fanning and exploiting public fears by declaring war on abstractions like crime, drug use, and terrorism. The resulting policies have made those war metaphors increasingly real.
We can't any longer have the conventional understanding of genetics which everybody peddles because it is increasingly obvious that epigenetics - actually things which influence the genome's function - are much more important than we realised.
The United States tried, by depressing the clutch of diplomacy and downshifting the gearshift lever of rhetoric, to remain neutral, but it became increasingly obvious that the nation was going to get into a war, especially since it was almost 1812.
Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.
I think, a general anxiety, after the end of the Cold War, to find a new basis for affirming American nationhood. And perhaps another, in plainer terms, is the lure of the approaching Abraham Lincoln bicentennial has been made a resurgence in interest in Lincoln.
After literally hundreds of firefights, Chosen Company became increasingly battle-hardened. And they also became increasingly suspicious of their Afghan counterparts, believing - with their lives on the line at the end of the day - that they could only truly rely on themselves.
The whole basis of working in black and white and grays became the basis of my understanding of color, because it's all about tone, it's all about light and dark. If you don't get that, then your color work is going to be a mess. So that's the beginning of the toolkit: drawing and black and white media.
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