A Quote by Malcolm X
When the people who are in power want to use again, create an image, to justify something that's bad, they use the press. And they'll use the press to create a humanitarian image, for a devil, or a devil image for a humanitarian. They'll take a person who's a victim of the crime, and make it appear he's the criminal, and they'll take the criminal and make it appear that he's the victim of the crime.
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The press is so powerful in its image-making role, it can make the criminal look like he's a the victim and make the victim look like he's the criminal. This is the press, an irresponsible press. It will make the criminal look like he's the victim and make the victim look like he's the criminal. If you aren't careful, the newspapers will have you hating the people who are being oppressed and loving the people who are doing the oppressing.
People are constantly trying to make an image for you. They`ll dress you up and tell you to pose a certain way and take all these pictures... they want a certain image, so they create that. And unless you`re spending a lot of time to create another image to counteract that image, theirs will win. So right now, I`m kind of dealing with a lot of false ideas of what I`m about.
That it is not enough to catch a criminal and get them convicted and so on, because the victim remains with the consequences of the crime. Something needs to be done. Let's complete that process, interact with civil society about this, so that we will specify what is it that we do in the context of that Charter that would then make this positive impact on people who might have been affected by crime.
One of the tricks of the west is to use or create images, they create images of a person who doesn't go along with their views and then they make certain that this image is distasteful, and then anything that that person has to say from thereon, from thereon in, is rejected.
Maybe the devil in human beings isn't the reflection of the devil, perhaps the devil is only a reflection of the savagery and brutality of our kind. Maybe what we've done is create the devil in our own image
If you look at the image [ Portrait of the Artist as a Shadow of His Former Self ], it treads on a kind of popular stereotypical image of the black figure, in both its flatness and slightly comic edge. To take that image as a starting point and to render it in a proto-classical medium, like egg tempera, and then use a repertoire of classical compositional devices to make the picture was a way of setting up an engagement with art history.
And once again I think about how people use the devil as an alias for the things they fear. The cause and effect is backward. The devil doesn't make anyone do anything. People just do things and blame the devil after.
Also, they don't understand - writing is language. The use of language. The language to create image, the language to create drama. It requires a skill of learning how to use language.
Crime is not the problem of the victim, the victim didn't create the crime.
I make one image—though 'make' is not the right word; I let, perhaps, an image be 'made' emotionally in me and then apply to it what intellectual & critical forces I possess—let it breed another, let that image contradict the first, make, of the third image bred out of the other two together, a fourth contradictory image, and let them all, within my imposed formal limits, conflict.
If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio.
The Devil doesn't make us do anything. The Devil, for example, doesn't make us mean. Rather, when we're mean, we make the Devil. Literally. Our actions create him. Conversely, when we behave with compassion, generosity, and grace, we create God in the world.
When you're smart on crime, you start off by recognizing that both the victim, first of all, the victim, but also the person who did the crime are both human.
No matter how one approaches the figures, one is forced to the rather startling conclusion that the use of firearms in crime was very much less when there were no controls of any sort and when anyone, convicted criminal or lunatic, could buy any type of firearm without restriction. Half a century of strict controls on pistols has ended, perversely, with a far greater use of this weapon in crime than ever before.
Being a victim doesn't take much. There are built-in excuses for failure. Built-in excuses for being miserable. Built-in excuses for being angry all the time. No reason to trying to be happy; it's not possible. You're a victim. Victim of what? Well, you're a victim of derision. Well, you're a victim of America. You're a victim of America's past, or you're a victim of religion. You're a victim of bigotry, of homophobia, whatever. You're a victim of something. The Democrats got one for you. If you want to be a victim, call 'em up.
To make the child in your own image is a capital crime, for your image is not worth repeating. The child knows this and you know it. Consequently you hate each other.
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