A Quote by Malcolm X

Whenever I walk the street and see people ready to get with it, that's my reward. — © Malcolm X
Whenever I walk the street and see people ready to get with it, that's my reward.
Whenever I walk down Oxford Street I see thousands of ties and there is always one that winks at me and says 'get me out of here,' so I buy it.
I have always loved to sit in ferry and railroad stations and watch the people, to walk on crowded streets, just walk along among the people, and see their faces, to be among people on street cars and trains and boats.
People who are tired of K Street corruption and Wall Street greed are ready for Main Street Values.
When you're directed by social media, I think it's very easy to lose a sense of agency. And you can see it when you go to any subway station, you walk down any street in a city, you will see 70-80 percent of people staring into their phones as they walk or stand.
Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off - then, I account it high time to get to sea as soon as I can.
If you see how carefully I prepare for any kind of walk, legal or illegal, small or big, you will see that, actually, I narrow the unknown to virtually nothing. And that's when I am ready to walk on the wire.
We chase the reward, we get the reward and then we discover that the true reward is always the next reward. Buying pleasure is a false end.
After walking off the field feeling nauseous knowing my wrist was broke and hearing Philly fans yelling 'You deserve it,' and, 'That's what you get,' I am motivated to get back quickly and see to it personally those people never walk down Broad Street in celebration again.
Whenever people get to see you, it's a great thing. Once people see an image and see the character, they can get into the music a lot more.
All I want to say to people, man, is, "Yo, you see me walking down the street and I got a little bop in my walk, don't think because I've got a bop in my walk I'm trying to be all that. The bop in my walk is because I'm just like you, man. I bop when I walk." Know what I'm saying? I'm proud. If you see me smiling, standing straight up, gold around my neck, it's not because I'm conceited. It's because I'm proud of what I achieved. I made this. I worked hard for this. That's all this is about.
I love watching people, and that's what I do; just go for a walk at about 4 o'clock, and go down a busy street, where you see people coming out of school and you get a glimpse of their lives, what they're talking about.
In Miami, you can walk in the street and see people. It's like Brazil.
As an author, I don't really think too much about being a celebrity. It's not like being a movie star or a TV star. It's not as if people recognize me when I walk down the street. That hardly ever happens, and it's just as well. But it is great when people know my books, when I walk through an airport and see them in the bookstore, or when I see someone reading a book on a plane or on a train, and it's something I've written. That's a wonderful feeling.
Mexico scares me. There's no law, there's wild dogs and people driving their ATVs down the street. I like to know I can walk down the street and not be arrested for something dumb and have to pay to get my way out.
I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.
My dad put up a basket on my street, and I was practicing every day. It was just nuts. But I miss it. Whenever I see a ball, I get itchy!
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