A Quote by Malcolm X
Once I was, yes. But now I have turned my direction away from anything that's racist.
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I was turned out because I said to Europe no, no, no. That no, no , no has now turned into yes, yes. Two yes's not three because he got the Social Chapter out and he's reserved his position on the single currency.
And my point was one I think that you'd agree with, which is there's no room in America for a black racist, a Latino racist, or a white racist, or an Asian racist, or a Native American racist. Now, we're either color blind or we're not color blind.
If I have anything to say against Obama it's not because I'm a racist, it's because I don't like what he's doing as President and anybody should be able to feel that way, but what I find now is that if you say anything against him you're called a racist.
Hugo?’ ‘Millicent?’ ‘Is that you?’ ‘Yes. Is that you?’ ‘Yes.’ Anything in the nature of misunderstanding was cleared away. It was both of them.
You're so easy to tease. And yes, your friend is just fine. Well, except that he keeps putting all my things away and trying to clean up. Now I can't find anything. He's compulsive.
I remember a story I once heard about drowning: that when you fall into cold water it's not that you drown right away but that the cold disorients you and makes you think that down is up and up is down, so you may be swimming, swimming, swimming for your life in the wrong direction, all the way toward the bottom until you sink. That's how I feel, as though everything has been turned around.
Editing can alter the original meaning and context, and computers can alter the image itself. The camera can also be manipulated. At the very least, it must be turned in one direction - only one direction at a time ... Who chooses what direction to point the camera, and why?
Once desire was turned on, combustion gave it a life of its own. Once it was turned on it became a raging wildfire, uncontrollable and uncontainable, the type of conflagration that had to be allowed to burn itself out.
Once I turned pro, so to speak, I put away childish things forever.
A continent ages quickly once we come. The natives live in harmony with it. But the foreigner destroys, cuts down the trees, drains the water, so that the water supply is altered, and in a short time the soil, once the sod is turned under, is cropped out and, next, it starts to blow away as it has blown away in every old country and as I had seen it start to blow in Canada. The earth gets tired of being exploited.
Sometimes if I really want to get someone's attention, I'll start a sentence with something like, "I'm not racist, but..." I say, "I'm not racist, but you look great today." They say, "That wasn't racist at all." I said, "I know. I said I'm not racist. You never listen. Typical Mexican."
I don't consider myself to be a racist, but to me there's not much difference between a black racist or a white racist.
I talk to my inner lover, and I say, why such rush? We sense that there is some sort of spirit that loves birds and animals and the ants- perhaps the same one who gave a radiance to you in your mother's womb. Is it logical you would be walking around entirely orphaned now? The truth is you turned away yourself, and decided to go into the dark alone. Now you are tangled up in others, and have forgotten what you once knew, and that's why everything you do has some weird sense of failure in it.
You’re kind of a psycho. I get that.” “I might be,” Monica agreed, and gave her a slow, strange smile. “You’re one smart little freak. Now run away, smart little freak, before I change my mind and stick you in one of these old suitcases for some architect to find a hundred years from now.” Claire blinked. “Archaeologist.” Monica’s eyes turned winter cold. “Oh, you’d better start running away now.
I've never done a big series like 'Game of Thrones' before. All I knew was that it was HBO, and I'd seen what they had done with 'The Sopranos' and 'The Wire.' But when I started reading the script, it was a no-brainer. Yes, yes, yes. Gold. Every time I turned the page.
There are some directors I should have worked with. I`d like to have worked with Robert Altman - I turned him down a couple of times when I was younger. My thing now is if it`s a good director I`ll never say no - I`m just gonna say yes from now on.
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