A Quote by Malcolm Young

Angus and I had silent dreams about playing in a band since we were kids, always playing our guitars and listening to records. — © Malcolm Young
Angus and I had silent dreams about playing in a band since we were kids, always playing our guitars and listening to records.
I enjoy playing the band as the band. I 'be' the whole band and I'm playing the drums, I'm playing the guitar, I'm playing the saxophone. To me, the most wonderful thing about playing music is that.
I enjoy playing the band as the band. I be the whole band and Im playing the drums, Im playing the guitar, Im playing the saxophone. To me, the most wonderful thing about playing music is that.
We found ourselves becoming more serious about playing music than our friends were - or just more committed and had more meaningful connections. I realized then that I would probably be playing in bands for the rest of my life; that that's what made me happy. Even though it's awesome that people are paying attention - buying records or selling shows out - I never have that conscious thought about, "this is going to be the band that will tour the world."
For the people that don't know it, we've had members come and go from this band since the beginning. It's always been about collaboration, and it's been about just playing music with our friends.
I was living and working with adult men who were playing a real art form. And I had been playing blues all my life. As soon as I formed my first band, we played Jimmy Reed stuff. So it wasn't like I was a white kid who was learning the blues from B.B. King records.
We tracked 'Domestic Sweater' live as a full band. It had been a while since we had even performed so in doing so, a sweet innocence arose, as though we were playing in our garage again.
As much as we love the game since we've been playing it since we were kids, it's still our job.
I learned a lot from playing those late-night, 1-to-4 A.M. gigs with my band, and playing when no one was listening.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
People have been introduced to our band in so many ways. Whether we were playing at their college or we were the record that entertained their kids with.
I stick to playing Brahms, but I love listening to Led Zeppelin, and I've also been a big fan of Earth Wind and Fire since the Seventies and of The Gap Band since the Eighties.
I change guitars as they come and go. I have one I played for almost a decade, but I've put it away. It was the first McCarty. Now, I'm playing one I grabbed off the line. I've been playing it ever since.
With Dollars And Cents on the album, we had it as a band jam and I sometimes spend evenings playing with records over the top of things we were working on to see what works.
I had a band when I was 14, and we would play around in my hometown of Middlesbrough, and we'd go to the club afterwards, which was the Purple Onion then. There would be live bands playing, and in between that, the DJ would be playing records.
We've [me and brother] been playing hockey for a long time, since we were little kids. I started playing hockey at two and a half. Obviously, playing hockey we want to be known as good hockey players and hard working guys that earn everything they get.
My grammar school graduating class in 1941 had a little party for 13 or 14 year-old kids. [Trumpeter] King Kolax's band played for the party and Gene Ammons was playing tenor saxophone with the band. And that's when I said, "That's it!" Just like that, tunnelvision ever since.
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