A Quote by Malgorzata Szumowska

My film is very simple: An Eastern European story full of black humor about things everyone can feel and understand. — © Malgorzata Szumowska
My film is very simple: An Eastern European story full of black humor about things everyone can feel and understand.
I always try to be ironistic in everything I do. I love people who understand humor and who live through humor. So, of course, I was not too serious covering such things as Motörhead or "Black Magic Woman" by Santana. But I was serious enough about Led Zeppelin and the Celtic song "Wild Mountain Thyme." In my life, serious and humor are always together.
The Olympics is not really about the sport, it's about the story behind the person. You keep the sport relatively simple to understand - let the fans understand that a takedown is 1 point, a turn is 2, a pin and the match is over. Keep it simple, and keep the story on the individual.
To me, Punisher is pretty black and white. He's very simple, and at the same time, he's very complex. I don't know why I think I understand the guy, but I feel I do.
Script wise, the story of 'Eega' is universal. It's a simple story which everyone can understand.
The best story about Berta is my audition. I think they wanted her to be the ethnic character. They asked me to come with an Eastern European accent.
I think that film festivals, we're very often given to understand, are about filmmakers and about films and about the industry of filmmaking. I don't believe that they are, I believe that film festivals are about film audiences, and about giving an audience the encouragement to feel really empowered and to stretch the elastic of their taste.
When you have your chance to make a film, don't focus on pleasing everyone. I think the goal is to live in that sweet spot where you focus on making a good film and you have fun with your collaborators, but you don't waste your energy chasing approval every which way. When you have a vision and a good story and you've managed to raise funding, it is your approval as a director that everyone should be seeking. It's very simple.
I make a film - and once I've made it, everyone comes along and says 'Ah! This is a film that's political, or social', or whatever. But I'm not telling the story that they see. I made a film, told a story, but I wasn't thinking about exactly what it all meant.
When I make film music, I'm a filmmaker first and foremost. It's about serving the needs of the film. You're telling a story; in a way, you stop becoming a composer and become a storyteller instead. You tell the story with the most appropriate themes. How you approach these things is a very personal matter, but your goal is to tell the story first.
Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
There are many aspects of time we just do not understand. That’s the thing about writing a popular book: You realize the things you understand because for those you can give a really simple explanation. But some things about time I just don’t know how to give simple explanations for, even though I can tell you mathematically what’s going on.
Humor disarms people. It opens them up to starting a dialogue about things they wouldn't normally talk about. I don't understand how people who don't have a sense of humor get through life.
The fall of the Berlin Wall is very much a sequel, a continuation of the story about Eastern Europe emerging from war and Communism. The notion of presenting history as a story also appealed to me very much, since that is the way I look at the events I cover as a reporter.
We're all humans. Any human can tell any human's story. I don't want to have this conversation about black film or white film anymore. I wanna have conversations about film.
We in the media have been guilty about not doing a better job of making people understand how really simple cooking is. We've made everyone feel like they have to be a chef.
A lot of times I don't know if I trust the director to tell that film's story. Or I think it's inappropriate for a male director to tell a female story, or a white director to tell a black story. Everyone walks away from a movie differently, because you're relating it to your own life.
This site uses cookies to ensure you get the best experience. More info...
Got it!