A Quote by Malgorzata Szumowska
My films are doing well in Polish cinemas, so I don't really have problems financing them, and my international accolades are helpful.
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The financing of my films has always been international.
Foreign capital to build new cinemas will help modernize China's aging cinema infrastructure, attract Chinese consumers back into cinemas, and increase demand for U.S. films.
There are two things that I get a lot of pleasure from in my life, and that is, doing what I know how to do well - that really makes me happy. The other one, and probably an equal pleasure, is finding out how I can be helpful and then really being helpful.
Migration is an opportunity, not a problem. And in the sense that it is an opportunity, it goes on to a bilateral agreement, between Mexico and the US, the US and the Dominican Republic, whatever you wish, and it has to be a multilateral, international event. I am in favor of an international union of migrant workers that really takes on the problems that affect Europe, with the migrants coming from Africa, and the US with the migrants coming from Latin America. It has to be considered an international question, with international solutions, and with no problems national or international.
There are no negro problems, or Polish problems, or Jewish problems, or Greek problems, or women's problems, there are HUMAN PROBLEMS”.
There are two cinemas: the films we have actually seen and the memories we have of them.
I think films would get a lot better if people paid leaving the cinema. There's a whole business plan of opening terrible films in hundreds of cinemas and then closing them when the word of mouth gets out.
Coppola has problems getting financing, so why should I not have problems getting financing.
Cinemas gained new young audiences who wanted films made for them.
2019 is proving to be a golden year of Malayalam cinema... As an actor, I have always classified films as either good ones or bad ones... I had five films that released this year in the cinemas and our audiences liked every one of them.
I'm talking a lot on financing in the Masterclass and I know what it means to because I had to finance my first films, all of them, and I earned my money as a welder in a steel factory doing night shifts while I was still in high school during the day.
Most Chinese filmmakers grew up watching television; they watched films on television, not in cinemas. The scope of their vision is not big enough, they're not yet detail-oriented enough. You have to watch films in cinemas for years to understand the depth and scope of vision needed in filmmaking. Directors in China usually come from an academic background; they graduate as film directors. Whereas the directors from Hong Kong learn their trade on sets, beginning at the lowest rung.
People often pulled into Scientology want to address personal problems in their life, and Scientology says we have technology that addresses these kinds of problems. Just focusing on the problems and trying to remedy them can be helpful.
People think that cartoons are meant to be watched on television and not in cinemas. To get people into cinemas to see animation really boils down to storytelling for the family.
Like a lot of films at the end of 2008, they hit a wall with financing, which is why I moved back onto 'Stone.' In doing so, I had to let go of 'The Beautiful and the Damned,' to at least give them an opportunity to move forward with somebody else.
Well, I am from India and I wanted to make films in English for the international market in India. So that was really the main thing, and then of course economically it was cheaper to make films in India.
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