A Quote by Malik Yusef
I've broken it down to three basic types of people in gangs. You have the first type, the most dangerous, which are the glory seekers. They just want to be popular, they want to be stars, and they can do that in gangbanging. Then you have the one that I think is the worst, which is the one that's expected to be in the gang. Then you have the ones that were like me; they had to be.
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I have been heart broken. You can't breathe, your eyes are pouring a thousand tears a second and you can't foresee going on with love because you never want to feel this way again. But then you have to look in the mirror and say 'Shut up, eat some ice cream, be by yourself for a while and think about who you are and who you want to be - then, go out and find someone compatible.' A broken heart feels like the worst thing in the whole world, but it really helps you decide what you want and don't want. You learn a lot from a broken heart.
I think there are three types of actors. There are the ones that do the ego thing, which is "I'm never going to look bad in a movie, ever." This is mostly the action film dudes, like, "Nah, hell no. He ain't punchin' me! I'd whoop his ass!" Then you've got the activist type who bases their decisions in the development of a character on what it symbolizes to society - what the ethical code is. And then the third type is a true thespian who doesn't give a flying rat's ass what it is as long as it's deep, powerful, and painful, and they will dive in headfirst. I really respect those people.
There are some basic rules if they want to join the tumbling team. No drinking, no smoking, no swearing, no drugs and, most of all, no belonging to a gang. I read the riot act to them the minute they want to join. I tell them there's only one gang they can belong to if they want to be with me and that's Jesse White's gang.
The most dangerous kind of girl involvement with gangs is one where the girls are just sort of hanging around the gang boys or even being part of the male gang.
I had no idea what effect something blockbustering would have. To me, it was just a job that I was trying to do the best I could. We had shot the first five shows before it went on the air. Then, it was this firecracker hit, and people were recognizing me, so it was just nuts. It was overwhelming, insane, wonderful and scary all at the same time. It's really peculiar that people see you on television and then think they have a personal relationship with you. So, they want to touch you, and grab you, and sit down and have lunch with you. It's strange, and you never get used to that.
I think it took me until - my twenties were really a time of exploration and experimentation with different groups and different types of music. Then I kind of developed the sound, which first appeared, I guess, on my first solo album 'Englaborn,' which came out in 2001.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, which I hope this one does, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
I used to live at the Cecil Hotel, which was next door to Minton's [Playhouse]. We used to jam just about every night when we were off. Lester [Young], Don Byas and myself - we would meet there all the time and like, exchange ideas. It wasn't a battle, or anything. We were all friends. Most of the guys around then knew where I lived. If someone came in Minton's and started to play - well, they'd give me a ring, or come up and call me down. Either I'd take my horn down, or I'd go down and listen. Those were good days. Had a lot of fun then.
I had people read it early on and, you know, well-meaning people said to me, you should take out the blogs. I didn't get much positive feedback. Only because most of these people were protective of me - it was sort of like a "tone it down, make it easier to swallow" kind of thing. And I just thought if I do that then it's not the book I want to write.
I mean, when I got to Brown, the place was riven, because you had older professors who were basically new critics and had been teaching a certain way for 30 years. And then you had this other gang who was down with the semiotic program. And as a student, you were, in a way, forced to choose which cohort you were going with.
I so think it's limiting to define an audience ahead of time. This is something I've brought on myself by being like, 'There are no 'real' teen publications! That's what I'll do!' But then it's like, well, if I want 'Rookie' to be successful and popular, then people will invalidate the realness by saying it's popular and mainstream.
Most of the time, I don't want to use anti-climatic, but sometimes you go out there thinking this is going to be the worst thing you've ever gotten yourself into, and then you get back to base and think, 'Wow, that wasn't anything like I expected.'
There are three types of people in this world: those who make things happen, those who watch things happen and those who wonder what happened. We all have a choice. You can decide which type of person you want to be. I have always chosen to be in the first group.
I teach voice, and I teach pretty much just, like, whatever people need. So if they want me to work on a monologue with them, or if they want me to do some work with them, I do that. And then I do master classes, like at high schools - which is my most favorite thing to do.
What I want to know, though, is why all of a sudden is everybody acting like gangs are some new phenomenon in this country? Almost everyone in America is affiliated with some kind of gang. We got the FBI, the ATF, the police departments, the religious groups, the Democrats and the Republicans. Everybody's got their own little clique and they're all out there gangbanging in their own little way.
The '80s was brand new. It was AIDS. It was gangbanging. It was starting to become big dope-dealing, and crack was starting to flood the neighborhoods. And then you had hip hop, which was something new, other than what we were doing, which was sports, playing football, basketball, baseball. And I was excited.
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