A Quote by Malin Akerman
I wouldn't have made it past the first round of American Idol auditions. It was months before our first song was recorded. The guys were like, 'Just seeng!' And I was like, 'I don't know how to seeng! Can't I just play the triangle?'
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I went into the 'Idol' audition with no expectations; that's just the kind of person I am. If it doesn't happen, it doesn't hurt so badly, you know? But once I made it past the first round, and the second, and third - I started to realize, 'Maybe my goals and dreams really are attainable.'
"Snapped" happened maybe like two months after I released the mixtape. I just like took a break from recording and that was the first song I wrote and recorded after the mixtape.
What made 'American Idol' different from 'The Voice' and all these other singing competitions... 'American Idol' just gave regular old normal people like me and like Trent a chance.
I don't think I'm ever surprised at how high the quarterbacks go. There could be a lot of teams that often times don't have a lot of first-round grades on guys that are going in the first round, and that's just the nature of the business.
I like the triangle. My first season, the whole first season, we played nothing but the triangle, so I know it pretty well.
Everything we did was a first: first bath, first walk, first drive in the car. It was like we walked into an alternate universe that looked just like the old one, but all the rules were different and we had to relearn how to live.
It frustrates and fascinates me that we'll never know for sure, that despite the best efforts of historians and scientists and poets, there are some things we'll just never know. What the first song sounded like. How it felt to see the first photograph. Who kissed the first kiss, and if it was any good.
When you first come to practice, you learn the guys. You're going to play with them for the next couple seasons. You just need to know what shots they like, how they run, how good a lead they are. You need to know your personnel.
I work a lot, and it's kind of like, you meet people, and you just click. It's not like I'm looking at something and thinking: 'South Park' - how do I get on that?' I just became friends with those guys first. They're nice guys.
I recorded harp first or singing first. I recorded it all together. Part of the reason is that I don't know how to play the songs without also singing. I forget how they progress. I don't think that any of them are verse, chorus, verse, and so on. They are not simple.
I got a chance to get an actual label. I performed this slow song, this ballad I have. I just remember going to the first woman I saw in the room and just getting on my knees holding her hand just singing. And I was like, you know what, I got to just sell it. I remember that day they were like, yo we want to sign you. [After] I went into the bathroom, I started crying, [and] I called my mom. I was like momma – I did it.
When I did '1,2,3,4' on 'Sesame Street' they'd rewritten the song and made it about counting. At first, I balked. I was like, 'Counting to four? That's where we're going with this?' Then they sent me appearances by other people like James Blunt doing 'You're Beautiful' as 'My Triangle.'
The moments when I first made something, like when I first wrote a song please me so intensely. Everything else after that is just the act of communication.
The first day I met Peep we made a song without question. Never in my life have I connected with someone like that. Literally the first day we met we recorded 'White Tee' and shot the video.
Right away, I knew I didn't want to have that look of other guys with long hair and bell-bottom pants, because everybody else had that look. I kind of adopted my boarding-school look, which made me stand out. Then the next thing you know, the first song on my first record is a song called "School Days." It's about going to the boarding school I went to. So then I just started to write about myself. The very first song I ever wrote was about a guy I met in a boatyard that we were working in. So I've always had this thing about sticking to more or less what I knew.
The first record we made, we recorded and mixed in a day. The second record was recorded and mixed in a week. The third was recorded and mixed in a month, and 'New Wave' was mixed and recorded in six months. It was an epic project.
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