A Quote by Malina Suliman
In Afghanistan I was doing street art because it was more open, but when I had a show, only men would come. I said, I'm an artist not only for men, but for women too. So that's why I like graffiti.
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In the South you are ashamed of being a virgin. Boys. Men. They lie about it. Because it means less to women, Father said. He said it was men invented virginity not women. Father said it's like death: only a state in which the others are left and I said, But to believe it doesn't matter and he said, That's what's so sad about anything: not only virginity and I said, Why couldn't it have been me and not her who is unvirgin and he said, That's why that's sad too; nothing is even worth the changing of it.
Women had to work like slaves in the art world, but a lot of men got to the top through their charm. And it hurt them. To be young and pretty didn't help a woman in the art world, because the social scene, and the buying scene, was in the hands of women - women who had money. They wanted male artists who would come alone and be their charming guests. Rothko could be very charming. It was a court. And the artist buffoons came to the court to entertain, to charm. Now it has changed, now the younger men are in - older women and younger men.
If women had power, what would men be but women who can't bear children? And what would women be but men who can?" "Hah!" went Tenar; and presently, with some cunning, she said, "Haven't there been queens? Weren't they women of power?" "A queen's only a she-king," said Ged. She snorted. "I mean, men give her power. They let her use their power. But it isn't hers, is it? It isn't because she's a woman that she's powerful, but despite it.
I don't find it difficult anymore, because these days, Raf is only men and Dior is only women. I found it much more complicated when I was doing Jil Sander for men and women. It wasn't that it was the same, but I'm specific about where I want to go, and when you suddenly have to do two men's collections in the same moment, that was more difficult.
We also ought to recognize that unpaid labor falls predominantly to women. The other thing I would do in countries like the U.S. is to show more men, even in TV ads, doing household work. Only two percent of ads show men doing chores, and yet we know they actually do several hours of it in real life. Those images affect young boys and girls.
All the work I did was to challenge politics, culture, and women's rights. I felt like I really wanted to break out. That's why I wanted to use graffiti. It's more open. I don't need people to come to an exhibition. Graffiti gives a voice to the walls.
This Book had to be written by one of three people: good men, bad men or God. It couldn't have been written by good men because they said it was inspired by the revelation of God. Good men don't lie and deceive. It couldn't have been written by bad men because bad men would not write something that would condemn themselves. It leaves only one conclusion. It was given by divine inspiration of God.
When we consider that each of us has only one life to live, isn’t it rather tragic to find men and women, with brains capable of comprehending the stars and the planets, talking about the weather; men and women, with hands capable of creating works of art, using those hands only for routine tasks; men and women, capable of independent thought, using their minds as a bowling-alley for popular ideas; men and women, capable of greatness, wallowing in mediocrity; men and women, capable of self-expression, slowly dying a mental death while they babble the confused monotone of the mob?
The marvellous instinct with which women are usually credited seems too often to desert them on the only occasions when it would be of any real use. One would say it was there for trivialities only, since in a crisis they are usually dense, fatally doing the wrong thing. It is hardly too much to say that most domestic tragedies are caused by the feminine intuition of men and the want of it in women.
When I was young, I don't know how, I spent all my time in the presence of married women telling me their troubles. And when I said 'Why did you marry?' they said, 'Oh I married to get away from home.' And when I said, 'And why don't you leave him?' they gave the saddest answer in the world: they said, 'Where would I go?' So they stayed with men they didn't like because they had nowhere to go.
I did an art show for Donald Trump at his house in Palm Beach, Florida. It was a bunch of pop art and stuff like that, so I wasn't doing any graffiti at that time, so I'd say from about 2000 to 2006, I wasn't doing any graffiti.
Margaret Atwood, the Canadian novelist, once asked a group of women at a university why they felt threatened by men. The women said they were afraid of being beaten, raped, or killed by men. She then asked a group of men why they felt threatened by women. They said they were afraid women would laugh at them.
I have always been a Peter Blake fan and love street art and graffiti. I really like this street-art collective called Faile. They're from Brooklyn and make these prints of beautiful women.
When I was growing up in rural Alabama, as a young child, about 50 miles from Montgomery, and we would visit the little town of Troy, or visit Montgomery or Tuskegee, I would see the signs that said, "WHITE MEN - COLORED MEN," "WHITE WOMEN - COLORED WOMEN."And I would come home and say to my mother and father and my grandparents, "Why?" "Why this?" "Why that?" And they would just tell me, "That's just the way it is! Don't get in the way. Don't cause trouble."
No one was ever good enough for anybody's precious sons. No one ever called daughters precious, and why was that? Things had not changed very much. In the end women like Emily and Ingrid and Freya and Joanna only had one another to lean on. The men were wonderful when they were around, but their fires burned too bright, they lived too close to the sun - look what happened to her boy, and to her man. Gone. Women only had one another in the end.
In my opinion it is a grave error for women to feel that they must move only in women's interests... . What, after all, would we think if men all got together and kept doing things that were supposed to be in the interest of men?
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