A Quote by Mallory Jansen

For me as an actor, it's really fun to play someone who's not human. — © Mallory Jansen
For me as an actor, it's really fun to play someone who's not human.
The human being that I strive to be is a great human being, like a loving human being, but as an actor, you take on roles that are not you and that's the fun part for me as far as acting goes. You really get to learn about other human beings and not judge.
It was easy for me to play someone with a massive ego. It's actually really fun to have the freedom to be that person.
It really is great. Especially having people who we make fun every week come on and poke fun at themselves is really cool, I love that. No reality star has been mad at me yet for making fun of them. I'm sure that one day soon though, someone is going to take a swing at me.
As an actor, what I'm finding is that I really like the extremes. I think that's really fun to play with.
Play is play, fun is fun, and work is work. They're different. I work hard; even if it's supposed to be fun for someone else, it's work for me.
Movies are this thing that came into my life, and it still feels pretend in some way. I kind of do this thing, and I never really accepted this idea that I'm a film actor. That's what I do. I feel like I'm a theater actor that started doing films. Most people have never seen me in a play. They're fun, though.
It's fun to do accents; it's fun to do different periods - that's why you become an actor. Because it's fun to be a storyteller and play make-believe.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
It's really fun to play someone with no filter but who is also really good at what she does.
Even when you write it, someone's got to play it. So if you can play it and bypass all the rest of the things, you're still doing as great as someone that has spent forty years trying to find out how to do that. I'm really pro-human beings, pro-expression of everything.
That straight man character is a short trip between comedy and drama in a project, so I can play the comedic beat on the same page as a dramatic beat. It gives me a lot of freedom as an actor to play scenes in multiple ways because I don't play the clown, nor do I play someone who is particularly maudlin.
I get a lot of people saying to me, 'Oh, you're the actor who plays the nutters,' and I'm not. I'm the guy who plays human beings. I understand why the characters are doing what they're doing. When you play a villain, you don't play a villain: you play a human being doing what he thinks he needs to do to get what he wants.
I recognize that every role I play, I'm not going to play someone that has a ministry or that is a Christian, and I don't think that's what God has called me to do. The gift and talent that He's given me as an actor, director, producer is to entertain, sometimes to inform, most times to inspire.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
I like making fun of myself a lot. I like being made fun of, too. I've always enjoyed it. There's just something really, really funny about someone tearing into me.
It's fun when the writers take risk regardless of the reaction that it might get, and that's fun for an actor. You're able to not just play one thing all the time.
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