A Quote by Mallory Jansen

I have admired David Bromley's work for years. He possesses such a wild and vivid imagination and really sees the beauty in everything. — © Mallory Jansen
I have admired David Bromley's work for years. He possesses such a wild and vivid imagination and really sees the beauty in everything.
I remember giving birth in Bromley Hospital annexe. It was painful. Zowie was 8 lb. 8 oz. David was there the whole time. It was the first and only time I saw David cry.
I love comedy. David's Lynch the only person I've worked with more than once who sees me as a specific thing - he sees me as the sexy bimbo, in ways, and he also sees me as Lucille Ball. Actually, Nick Cage and I did Lucy and Ricky in two scenes in Wild at heart that were cut because the movie was four hours long.
Sometimes I go, 'Wow, this is a director I really, really want to work with,' like David Cronenberg. I haunted David Cronenberg for years before, and then he offered me a role.
As suburbs go, Bromley's not bad. But as David Bowie and Hanif Kureishi have observed, you do want to get out of there quickly.
Every child is born blessed with a vivid imagination. But just as a muscle grows flabby with disuse, so the bright imagination of a child pales in later years if he ceases to exercise it.
Artificial selection turned the wolf into the shepherd, and the wild grasses into wheat and corn. In fact, almost every plant and animal that we eat today was bred from a wild, less edible ancestor. If artificial selection can work such profound changes in only ten or fifteen thousand years, what can natural selection do operating over billions of years? The answer is all the beauty and diversity of life.
Some people have vivid imagination, some not so vivid, but everybody has vivid dreams.
A deeply felt novel . . . The Story of Forgetting offers us both solace and illumination. Stefan Merrill Block possesses a singular mix of imagination, compassion, and scientific understanding; he is equally gifted at spinning fantastic tales as he is at bringing genetic histories to vivid life.
There are instances: [Henry David] Thoreau read [John] Wordsworth, [John] Muir read Thoreau, Teddy Roosevelt read Muir, and you got national parks. It took a century for this to happen, for artistic values to percolate down to where honoring the relation of people's imagination to the land, or beauty, or to wild things, was issued in legislation.
Obama sees everything backward. Where Americans see individual achievement, he sees government's work. Where we see failing companies, he sees innovation worth subsidizing. Where we see the need for economic growth, he sees a need for higher taxes.
If the experience of reality matters, than nothing is going to be better than dreaming. Because dreams feel real to everybody while they are happening. Some people have vivid imagination, some not so vivid, but everybody has vivid dreams.
[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the emotion behind those images that's meant the most to me over the years. It's the way David Lean can put feeling on film. The way he shows a whole landscape of the spirit. For me, that's the real geography of David Lean country. And that's why, in a David Lean movie, there's no such thing as an empty landscape.
I grew up as a kid looking at artists like David Bowie and Prince; I really admired them.
Being wild can be wearing a silly hat. Being wild can be dancing weird. Being wild can be shooting people. What do I think being wild is? Nothing. Actually, the whole world is wild. Everything is wild.
I'm a different writer now. You don't sit in a room with Sopranos creator David Chase and writer Terence Winter for four years and not learn something. And just watching the way the show was done, and watching the way that David encouraged the imagination.
The pioneer scientist must have "a vivid intuitive imagination, for new ideas are not generated by deduction, but by artistically creative imagination."
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