A Quote by Mallory Ortberg

Addicts sometimes have a penchant for becoming the center of attention at other people's celebrations. — © Mallory Ortberg
Addicts sometimes have a penchant for becoming the center of attention at other people's celebrations.
Then there are the addicts, the hunger addicts, the rage addicts, the poverty addicts, and power addicts, and the pure addicts who are addicted not to substances but to the oblivion and the tenderness the substances engender. An addict, if you don't mind me saying so, is like a saint. What is a saint but someone who has cut himself off, voluntarily, from the world's traffic and currency?
It is not heroin or cocaine that makes one an addict, it is the need to escape from a harsh reality. There are more television addicts, more baseball and football addicts, more movie addicts, and certainly more alcohol addicts in this country than there are narcotics addicts.
In modeling, because you're the center of attention, it builds up people's egos. Sometimes people lose touch with reality. But that happens with acting, too.
I think 12-step programs really work, rehab really works, certain types of therapies and talking to other addicts really work. There are a lot of things that work - that isn't the problem. The problem is getting the addicts to say they're addicts. The problem is admitting it.
I don't like to be center of attention, except for when I want to be the center of attention.
You know, I think sometimes certain players - and I don't name names - but certain players have a certain haircut, they have certain sack celebrations. They draw a lot of attention to themselves.
Sometimes, when I hear people without experience of addiction blame addicts for their behaviour I feel like saying to them: "You simply don't understand - how can a child be held responsible for doing such a dreadful thing to himself?" But then again, at other times I have to acknowledge: it was done wilfully.
Sometimes, when I hear people without experience of addiction blame addicts for their behaviour, I feel like saying to them: 'You simply don't understand - how can a child be held responsible for doing such a dreadful thing to himself?' But then again, at other times I have to acknowledge: it was done wilfully.
Parties are intended to be celebrations, and celebrations should be only for those who have something to celebrate.
I was born with a need to be the center of attention, and, of course, you're the center of the world when you're acting
I was born with a need to be the center of attention, and, of course, you're the center of the world when you're acting.
I work with The National Center on Addiction and Substance Abuse at Columbia University. I sit proudly as one of only two recovering addicts on their board.
I am basically a shy person, so performing sometimes helps me focus - having all those people concentrate their attention on you. I don't see it so much as becoming another person onstage; it's more exploring a different side of your personality.
When I was really young, I wanted to grow up and be the sun. Which shows an early penchant for ambition or narcissism or grandiosity or delusion - all of which are bellwethers for becoming a writer.
I don't have to be a pretty face. I've done that, but now it's important and liberating to be on the other side of the lens. I don't like to be the center of attention anymore.
Precise, graceful, and generous, the poems in SuperLoop, seem to be born out of a deep, careful attention and a profound compassion. Sometimes the quiet observer, sometimes the kid in the center of the messed-up carnival, these poems are the fireflies you’ve missed all winter, the longed-for return of the bees. Unaffected and inherently hopeful, Callihan’s work is as merciful as it is moving.
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