A Quote by Malorie Blackman
When I wrote 'Noughts and Crosses', I was halfway through it when I realised this was very like 'Romeo and Juliet'... as long as you make it your own, and put your own spin on it, I think it's brilliant to use other great work to find your own voice.
Related Quotes
Make your own worlds. Make your own laws. Make your own creations, your own star systems. Don't feel answerable to anyone, or as though you have to create after some preordained model. You don't have to write like myself, or King or Anne Rice: be yourself. Nothing is more wonderful than discovering a new voice, particularly if it happens to be your own.
It's a great excuse and luxury, having a job and blaming it for your inability to do your own art. When you don't have to work, you are left with the horror of facing your own lack of imagination and your own emptiness. A devastating possibility when finally time is your own.
Write like you write, like you can't help but write, and your voice will become yours and yours alone. It'll take time but it'll happen as long as you let it. Own your voice, for your voice is your own. Once you know where your voice lives, you no longer have to worry so much about being derivative.
Blaze your own trail in life. Make your own choices and make your own mistakes. It's the only way you'll find your own happiness, not someone else's.
Don't sow your desires in someone else's garden; just cultivate your own as best you can; don't long to be other than what you are, but desire to be thoroughly what you are. Direct your thoughts to being very good at that and to bearing the crosses, little or great, that you will find there. Believe me, this is the most important and least understood point to the spiritual life. We all love according to what is our taste; few people like what is according to their duty or to God's liking. What is the use of building castles in Spain when we have to live in France?
If you're really going to uncover something as an artist, you're going to come into access with parts of your personality and your psyche that are really uncomfortable to face: your own ambition, your own greed, your own avarice, your own jealousies, and anything that would get in the way of the purity of your own artistic voice.
There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice. But I think you could also put it a different way. You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.
I think that you find your own way. You have your own rules. You have your own understanding of yourself, and that's what you're going to count on. In the end, it's what feels right to you. Not what your mother told you. Not what some actress told you. Not what anybody else told you but the still, small voice.
I think your text [script] is everything; it's what informs you; it's what gives you the given circumstances. Then you take that and you add your own creativity and your own spin on things and you make it personal. That's what makes that character and that text unique to you, when you personalize it. I think that's where your job as an actor comes in.
I have great friends around me that are positive and I think that's the key to life is making your own path. Set your own rules because there is no set rule, there is no set look, there is no set anything. You make your own rules in your life. You make your own decisions.
I think the best advice I give is to try not to write. Try not to overwrite, try not to make it sound too good. Just use your own voice. Use your own style of putting it down.
It seems to me that awakening to the full potential of what your life might be - beyond the possibilities of your own family, your own class, your own race, your own neighborhood - that is one of the great gifts that art affords.
All I can tell you is that you cannot make choices in your own career, either career choices or choices when you're actually working as an actor, based on trying to downplay or live up to a comparison with somebody else. You just can't do that. You have to do your own work based on your own gut, your own instincts, and your own life.
Know your own Self. Honor your own Self. Find and be who you really are, at the deepest level of your own being. Be present in your own presence. Give yourself the gift of your own Self.
All the great masters in the world have been saying only one thing down the centuries, "Have your own mind and have your own individuality. Don't be a part of the crowd; don't be a wheel in the whole mechanism of a vast society. Be individual, on your own. Live life with your own eyes; listen to music with your own ears." But we are not doing anything with our own ears, with our own eyes, with our own minds; everything is being taught, and we are following it.
Normally, with stand-up, it's quite solitary, you write the material on your own, you perform it on your own, it's all very much on you. Your own thoughts. You have to sort of modulate your own performance.
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