A Quote by Maltbie Davenport Babcock
Remember to think of your departed mother always as living, just away in another room of our Father's house.
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My earliest memory of architecture, I was perhaps 6 or 7 years old, was of my aunt building a house in mosul in the north of iraq. The architect was a close friend of my father's and he used to come to our house with the drawings and models. I remember seeing the model in our living room and I think it triggered something, as I was completely intrigued by it.
My father's motto has always been 'Room in the heart, room in the house.' As charming as this sounds, it translates into a long line for the bathroom and extra loads of laundry for my mother.
When I was 16, we get kicked out of our house because my mother and my father were separated, so we didn't have money to pay. We got kicked out and had to live with my grandmother, sleeping in the living room, for many years.
My father was always playing this ethnic blues stuff around the house, and both my parents played. Then one day my father brought home Big Bill Broonzy, and there he was sitting in our living room playing, and blues was in my heart from the time I was 12 years old.
I always wanted to be a comedian, even when I was a little kid. I had a funny father who was in the news business, by the way. He was a radio news guy. So the news was always in my house, and funny was always in my house. It was sort of just baked into the DNA that I would do this for a living, but I can remember being less than 10 years old and dreaming about being a comedian.
My mother always told me that you should have one room in your house where you celebrate all of your achievements. You shouldn't have them spread throughout.
Your endowment is, to receive all those ordinances in the house of the Lord, which are necessary for you, after you have departed this life, to enable you to walk back to the presence of the Father.
We lived in a tall, narrow Victorian house, which my parents had bought very cheaply during the war, when everyone thought London was going to be bombed flat. In fact, a V-2 rocket landed a few houses away from ours. I was away with my mother and sister at the time, but my father was in the house.
My father was an amateur oil painter, so some of his oil paintings were on our walls. There was one above the piano of a famous Ukrainian poet, Taras Shevchenko, playing an instrument known as a bandura. I remember that one kind of resonated with me; it was always central in the living room.
You got to always take advantage of getting your room cleaned. You may think it's nice not to have anybody in your room, like your privacy's not being invaded. But there's nothing like walking back into a clean room. You've got to remember that.
I think that I learned music. And also you learn recommendations that you can use in your life. When you travel, you all the time remember what your mother teach you. You know in the African family the mother has a big role to play because the father is outside in the fields or going to work.
Every guy has feminine qualities. You're raised by your mother and father, and so you get qualities from your mother and father. I was mostly with my mother, but I think the pictures turned out good. Whatever.
The deer aren't our prey or our possessions -- they're us. They're us at one point in the cycle of life and we're them at another point in the cycle. The deer are twice your parents, for your mother and father are deer, and the deer that gave you its life today was mother and father to you as well, since you wouldn't be here if it weren't for that deer.
The distance between the glorified spirits in heaven and the militant saints on earth seems great; but it is not so. We are not far from home. Heaven... is just one sigh and we get there. Our departed friends are only in the upper room, as it were, of the same house; they have not gone far off; they are upstairs and we are down below.
I just always wanted a platform. In the past, I always dreamed of having a following and a fan base - you know, a group of people just listening and paying attention to what I was making. I think the reality kicked in that you have to make a living so that you have enough time to keep creating, you know? 'Cause if you're not making a living at this, then you're making a living working another job, and if you're working another job, you're spending all your time doing that and can't put enough time into the music.
My dad was always there, even though he wasn't living in our house. He was always on the phone, always just a car ride away. Whenever he had a new recording, we would be the first to get the acetate. And it would say, in Dad's handwriting, 'Play it loud.'
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