A Quote by Maluma
I was known for singing romantic songs to women, but I can also be that guy talking about why you can't be the only girl for me.
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I think there are certain tenets set in place for all different types on genres. For thrillers, women usually die first. I can't say exactly why, and it's kind of a bummer... But I also can't explain why the wallflower girl in the romantic comedy always gets the guy in the end. That's just the way those movies go.
Prince is king to me. As this half-naked, short black guy who looked like a girl in the 70s and 80s, he was talking about women in a way that was very unusual because he didn't objectify them.
If you are speaking about my own songs, I would think so because we were talking about that particular era and I was singing one of my songs that I recorded 50 years ago.
When you're singing songs about love and sex, you want everyone to think you're singing to them. Whether you're a boy, a girl, a woman, a man - whatever you're into, I can be that.
For me, when you are talking about perfect songs, you're talking about Gershwin, 'Someone To Watch Over Me.' Or Larry Hart and Richard Rodgers. Or some of the great Cole Porter songs, whether it's 'Night and Day' or some of the comedy songs. Or Irving Berlin, of course.
I like the audience to be engaged with the numbers I am singing and do not repeat my songs at any of my concerts. There are thousands of songs that I have lent my voice to with so many other singers, so why bore my audience by singing the same songs?
Everything that happens to me gets put into a song. For some reason, I'm really comfortable talking about my personal life in songs. There, I don't hold back: names, dates, times, expressions on people's faces, exactly where we were and how it felt, what I wish I would have said to them in the moment. So I'm not only excited about sharing the songs with fans; I'm also pretty interested to hear the response from the guys I've written about on the record.
Alison [McGhee] and I have known each other since the summer of 2001. One evening we were sitting around talking about how we wished we had a good story to work on. Alison said: Why don't we work on a story together? I said: A story about what? And Alison said: A story about a short girl and a tall girl.
She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
The dilemma I have is that everything I do at work is all about me, and at what point is that selfish? I'm just talking and singing about myself, or I'm standing on a stage and hoping that everybody likes me. Obviously, it's also about the music and feeling and connecting; I know it's deeper than that.
I thought that the R&B / Hip-Hop world really hasn't been explored on film and there's some issues that we're going through right now. It's in a very dangerous place , for women especially, both in terms of the songs that men are singing about. You know, R&B used to be a safe place for women and now it just seems like the songs coming out are so angry but also what women have to come out with. You have to get noticed. You see, it's like a script to follow. You come out hyper sexualized but what happens when you can't pull back from that. That's not authentic to yourself.
I look for songs that the listener, when they hear it, they believe what I'm singing about, that I know what I'm singing about. That's my whole deal. I try to choose songs that a male or a female can perform and relate to.
Love is never easy. It never is. And I'm not just talking about girl and guy, girlfriend, boyfriend, husband and wife. I'm talking about family, friends - all of that.
What I can't understand is why people still won't give me the credibility that I look for. If Mojo or any other of those magazines would give me the credit for only ever performing my own songs rather than someone like Rod Stewart singing other people's songs looking for success.
Because I think in order to get famous you have to be known for something. Like 'You're the romantic comedy girl' or 'You're the Oscar-winning whatever girl.'
Just because I write some songs about bad women, though, that doesn't mean I hate women. I've written songs that show great love and respect for women too. Songs that talk about strong, upstanding women and their pain. I have women working on my music. They understand where I'm coming from. So does my mama. I always play my music for her before it comes out. Why do you think I wrote "Dear Mama"? I wrote it for my mama because I love her and I felt I owed her something deep.
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