A Quote by Mammootty

Yes, it is true that I wanted to direct Rajinikanth in 'Bhoothakkannadi,' and I even narrated the story to him. But the project never materialised. — © Mammootty
Yes, it is true that I wanted to direct Rajinikanth in 'Bhoothakkannadi,' and I even narrated the story to him. But the project never materialised.
To make a film with Rajinikanth will be a dream come true for any director, and I'm not an exception. But I always believe that it's the story that should drive you. If I come up with something like that, and if the story inspires me, I would be happy to work with him.
'Mogul' is a very emotional project. This is a story which will be narrated only once.
Everything is a tale, Martin. What we believe, what we know, what we remember, even what we dream. Everything is a story, a narrative, a sequence of events with characters communicating an emotional content. We only accept as true what can be narrated.
I grew up idolising Rajinikanth, and I've always wanted to see him in a certain way. When I knew I was going to write for Rajini sir, I wanted to show him in the most stylish way and bring back his mannerisms and machismo.
I had always told my father that before working with him in the same frame as an actor, which I was petrified to do, I wanted to learn from him, so I had pleaded with him for two years before he agreed to write and direct 'Mausam.' It was our dream project and a wonderful opportunity for us to work as a family.
I've wanted to direct for a long time, but it had to be a story I wanted to tell. The writer's job is to find the story that he should tell.
I wanted to walk over there. I wanted to curl up beside him, lean against him, talk to him. I wanted to know what he was thinking. I wanted to tell him everything would be okay. And I wanted him to tell me the same thing. I didn't care if it was true or not- I just wanted to say it. To hear it, to feel his arms around me, hear the rumble of his words, that deep chuckle that made me pulse race
I am so happy about the opportunity I got to direct music for my favourite actor, Rajinikanth.
I'd love to do a love story. I've never done a true love story, which would be awesome. But then again, I don't think I've had a true love story, even in my own life. Maybe that's something I want to explore in my own life first.
Hopefully, by the time I do a project, I already have a true understanding and love of what I'm about to do because if I don't, I'm not going to work on that project. I really want to have those connections so I can be truthful to the emotional aspect of what I have to deliver for the story.
I wouldn't do a project if it weren't a story I wanted to tell. That's rewarding in itself, as a writer, if you're working on a story that you enjoy telling.
Because my dad was often gone, I never wanted to do anything that would make him stay away even longer. I became extra careful about what I said and how I said it, afraid he'd think I was angry or didn't love him. And the truth is, I was angry. I missed him and wanted him there.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
I simply wanted a kiss. I was a freshman girl who had never been kissed. Never. But I liked the boy, he liked me, and I was going to kiss him. That's the story, the whole story, right there.
All you have to do is say "yes." Don't make some big project out of it. Don't make some big deal out of it. Just say "yes." You don't even know what it means to say "yes," but you say it anyway. You'll never know what it means to say "yes," but you do it anyway. Freedom and Love arise when you die into the unknown mystery of being.
To begin with, I want to tell a good story, a story that people will listen to and that they'll think this is true, even if it is a story that might be defined as - as myth or legend or even fanciful.
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