A Quote by Mamoru Hosoda
I want to take themes that are shared throughout the world, express them through animation, and make movies from them.
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With the assumption that animation is a medium for children, I want to make movies that reaffirm the future, and let them know that this world is a world worth living in.
Actors are steeped in a world of agents and where the next job is coming from and what are their expenses and what is the hotel like. You want to take them out of that world and dump them into another world, so that when you meet them on the screen they don't seem like the guy who was in two others movies that year.
I don't know if it's a sadistic side or whatever, but you take characters and put them in really awful situations and make them go through that. And it's very satisfying as a director to explore that, to tell those stories and to explore those themes, because it is so human.
What we want to do is make sure they're not totally kept from what's going on in the world. We don't want to seclude them but, at the same time, we want them to have wisdom and discernment to make wise decisions - to protect them through the love of the family and the value that we have in one another and in the Lord and our time in Scripture. Finding that balance is not an easy task but it can be done.
Making fiction for children, making books for children, isn't something you do for money. It's something you do because what children read and learn and see and take in changes them and forms them, and they make the future. They make the world we're going to wind up in, the world that will be here when we're gone. Which sounds preachy (and is more than you need for a quotebyte) but it's true. I want to tell kids important things, and I want them to love stories and love reading and love finding things out. I want them to be brave and wise. So I write for them.
Stories bring us together. We can talk about them and bond over them. They are shared knowledge, shared legend, and shared history; often, they shape our shared future.
The privilege I've had over 15 movies over a very long time has been to make movies that were ambitious or grown-up, complex, that had themes in them that were sometimes political, sometimes challenging, to make these movies on a scale.
If to take up books were to take them in, and if to see them were to consider them, and to run through them were to grasp them, I should be wrong to make myself out quite as ignorant as I say I am.
Yeah, once we decided to use that replacement animation, and the seams are a function of that animation, and other movies paint those out, we decided we wanted to keep the presence of the animation and the type of animation that it was rather than make it look polished. It created a kind of vulnerability, I think.
People don't call them horror movies, but Hitchcock, for me, is my favorite storyteller. He was really exploring dark themes, and I don't know what category you put his movies in. Thriller? Horror? Some of them go in either one.
America was founded on the fissure between slave states and free states, so these huge fault lines are just built into the American project. How we repress them, express them, deal with them, talk around them, think through them, don't think through them, is fascinating to me.
Don’t become mesmerize by the pictures that have appeared if they are not what you want. Take responsibility for them, make light of them if you can, and let them go. Then think new thoughts of what you want, feel them, and be grateful that it is done.
If an artist is going through a lot of bad publicity, I don't want to ask them about that. If they want to talk about it, I'll make them comfortable enough where they can bring that up on their own. Not only do I want them to feel comfortable, I want them to come back.
Live in the world you inhabit. Look upon things as they are. Take them as you find them. Make the best of them. Turn them to your advantage.
It was my job to interest them in everything that was happening, to make the arrival of the Daily Express each morning an event, to show them the world outside Bolton and Bacup, to give them courage and confidence to overcome the drabness of their lives.
I want to thank the fans so much for their support through the years. Even as undeserving as I was, they were a big part of my being able to move forward and put my life back together. They're the greatest. They're the ones who make the stars. For their support throughout my career and today, I love them and thank them.
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