A Quote by Mamoru Hosoda

Usually, people tend to see someone on the surface and think that that's who that person is. — © Mamoru Hosoda
Usually, people tend to see someone on the surface and think that that's who that person is.
When people look only at the surface and that satisfies them and they think from that surface they see, that is to be truly blind.
I see blindness more as an ability and sight more as a disability because there are some people with sight who tend to judge others by what they see on the outside but I don't see that. I don't see the skin color, the hair style or the clothing people wear; I only see that which is within a person.
I don't think I'm a witty person. To me, a witty person is a funny person who is also a smart person. My friend David Rakoff, who died a few years ago, he was a witty person. Fran Lebowitz is a witty person. I don't think there are that many witty people around, so you tend to notice them when they do come around. I don't consider myself to be that.
I tend not to trust people who live in very tidy houses. I know that on the surface there is nothing wrong with a person being well-ordered and disciplined. Nothing, except that it leaves the impression of that person having lived in the confines of a stark institution which, although he or she has long since left, remains within.
When you know someone for four-five years, you tend to know everything about the person. You tend to know when the other person is reacting to a certain situation, how the other person would react in a situation.
I think one thing with Sweden is that in some way the Swedish society is a very good society, almost perfect on the surface. That is something that makes the writers forced to see what is underneath the surface, because it's always something underneath the surface, of course.
Be able to see people's humanity. I think the way that you do that and see people for more than their surface value is, say, you're reading something in the news: the gender pay gap, or gay adoption, anything that involves a group of people being marginalized.
When you first time you fall in love, you think that is going to be your whole life project, loving someone. It burns your brain, you kind of become blind, the moment you see the person you're in love with you want to see that person again and again and again, kiss that person, hug that person. You turn blank to the rest of the world.
I look at someone's face and I see the work before I see the person. I personally don't think people look better when they do it; they just look different.
I think, in storytelling, people want to see triumph, and so it's usually nice to start with failure and see someone somehow rise above it. People like to see people try. And they like to see people fail for comedy, and they like to see people succeed for the drama and emotion.
I think when people see Pluto revealed by New Horizons, its satellite system, its complex surface, its atmosphere, I think they'll have a hard time saying 'That's not a planet' because it obviously will be, and I think most people are already coming to that opinion anyway, but I think that's really going to drive it home viscerally.
Plant or animal, black or white, gay or straight, man or woman, I always see things deeper than just a surface. I always look deep inside the person and you will see a beautiful person in every human being.
I tend to think that we are all pretty much alike. We all feel despair. We all have problems with relationships. We all become afraid. We all look at others and think these other people are more fortunate than us. Certainly the details of our life are unique. Spending time thinking of how I am different from someone else, however, does not tend to be very productive.
Street skating, which is what I grew up with, is completely free of rules. You can do anything. When I see a skater go by, I think, What is this person going to do here? It's the same with people who write, who make music, who draw, who make movies. Creative people tend to have all of those different avenues in them.
I'm not the coolest person in the world. I'm not the sexiest Diva or the strongest Diva. I know who I am. I'm not the most popular person, and I'm kind of dorky, and I'm someone you can see at your school or as your neighbor, and I think people like that.
A lot of times when we work overseas we tend to put the experience of someone who lives overseas, a Chinese person or a Korean person or a Bosnian person, within the prism of an American life.
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