A Quote by Mandira Bedi

As my primary language was English, I had to work on my Hindi. I wasn't so comfortable with it. — © Mandira Bedi
As my primary language was English, I had to work on my Hindi. I wasn't so comfortable with it.
Hindi has never been a trouble. In fact, Hindi is the only language I can speak and write apart from Malayalam and English.
Now I know Hindi, and I can read and write Hindi, but the problem is that I can't improvise when I am acting because I think in English, so I have to translate my thinking from English to Hindi, and therefore, I speak slowly.
Initially, I did South Indian films because I needed the money; I had a huge student loan that I had to pay off. But I do feel that Marathi, English, and Hindi are what I'm more comfortable with.
English is not the primary language for universities in China, Korea, and Japan, but they are being evaluated on the basis of publications in English and courses taught in English.
I would love to be a coach, mentor, or a batting consultant. I would love to commentate in Hindi, as most people who watch the game are more comfortable with Hindi in India rather than English.
Of course you cannot compare my Hindi with a Hindi-speaking person, but I am confident enough to hold a conversation in mixed Hindi-English.
Dubbing for myself in Hindi is a big task. I know Hindi. I can read and write Hindi, but I dont normally speak the language, and that is very important.
When I decided to start a career in the Hindi entertainment industry, I knew I had to put in efforts as I'm not very fluent with the language of Hindi, as I pronounce certain words differently.
Until we got married, Radha didn't utter a word of English and now she won't speak Hindi. Her Hindi's pretty good actually - she learnt it while watching Hindi movies.
English is my first language, but when I started shooting for 'Definition of Fear,' I actually had trouble with my lines! It was so weird, because I never have trouble with my lines in Hindi!
I have a funny relationship to language. When I came to California when I was three I spoke Urdu fluently and I didn't speak a word of English. Within a few months I lost all my Urdu and spoke only English and then I learned Urdu all over again when I was nine. Urdu is my first language but it's not as good as my English and it's sort of become my third language. English is my best language but was the second language I learned.
For 'Dum Maro Dum,' I had a diction tutor, as I had to get rid of my Hyderabadi Hindi and learn Goan Hindi. It wasn't easy, because these two kinds of Hindi were mutually incompatible. I had to unlearn one kind of Hindi and then learn a new kind.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
I do believe that in America there needs to be a primary language and that English should be that language, it's not a radical position, it's a position that's held by countless people who are Latino.
The language was not a big problem because my English was getting better every year. So, I really felt comfortable and I had trust in myself, you know, talking to people. Even though I know I was making mistakes, I still kept talking. So that's how I learned English.
It took a pretty drastic moment to shift my thinking towards visual arts. I got to a moment in my writing career when I wasn't trusting the language, I was really not trusting the written language, the English language. How do you work with a material that you don't have trust in? I had to step away from it and find another way of articulating and I had to do it without words.
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