A Quote by Mandira Bedi

My work has spoken for itself, and I've been offered work purely on merit. — © Mandira Bedi
My work has spoken for itself, and I've been offered work purely on merit.
Depending on what stage I'm at in my career, I either work or don't work because I've been offered one thing.
I didn't go to university. They offered me a job as a junior reporter and I went off to work for the Southern Reporter. They sent me to college to do my NCTJ, which is a professional exam for journalists, and I started work as a print journalist purely because I was just a pest. They couldn't think of anything other than giving me a job to stop me hanging around.
I haven't been offered a lot of comedy. In theater, I've done quite a bit of comedy or dramas that included a lot of funny stuff. But in my TV work, those aren't the roles that I've been offered.
I was offered more work after the Oscar. When I was younger, I would take whatever I was offered because it was money and work and experience. In a way, choosing is the hard part. I know that's a luxury problem, but it's true. I try to go where passion takes me.
A work of art expresses itself as a balance sheet pitting the spoken against the unspoken.
Since I have difficulty defining merit and what merit alone means - and in any context, whether it's judicial or otherwise - I accept that different experiences in and of itself, bring merit to the system.
It used to happen, and still happens, to me to take no pleasure in a work of art at the first sight of it, because it is too much for me; but if I suspect any merit in it, I try to get at it; and then I never fail to make the most gratifying discoveries--to find new qualities in the work itself and new faculties in myself.
In my case, the body of work stands for itself... I think my work has been representative of me as a man.
[We need] to choose immigrants based on merit. Merit, skill, and proficiency. Doesn't that sound nice? And to establish new immigration controls to boost wages and to ensure that open jobs are offered to American workers first.
I have been offered a lot for my work, but never everything.
Sylvia Plath, Rumi, there's a lot of spoken word poets who do a really incredible job putting their spoken work into page poetry - that's what I strive to do.
The things and the projects that I want to be a part of are not the ones that I get offered. I get offered a lot, but it's not what I'm interested in. So I have to fight very hard for the things that I want to do and to work with the filmmakers that I want to work with.
I need work. I still audition for work. I dont get offered things out of nowhere. I have to work hard, still, and I get a lot of rejections. It just goes on and on.
I need work. I still audition for work. I don't get offered things out of nowhere. I have to work hard, still, and I get a lot of rejections. It just goes on and on.
The world more often rewards the appearances of merit than merit itself.
I don't look at my work as an avenue for generating more work. For me, my work itself is sufficient.
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