A Quote by Mandy Harvey
It's just I do things differently and I want people to appreciate music for what it is, and not because of a story.
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I don't want only young black people that listen to my music be able to appreciate it. I just want people to be able to appreciate it.
I appreciate Drake's music, I appreciate Future's music, I appreciate Lil Durk's music. I appreciate Uzi, Meek Mill, I appreciate Migos.
In the music business, we all do different things, but we sit there and admire other people who can write a song differently or sing differently. It's not so competitive.
When it's one animal, you really do have a tougher time because you've gotta commit to story structures that maybe are difficult to find the range in the animal to tell those stories. There are only so many things they do, if they're living in the natural world, that we can appreciate. There are plenty of things that they do that we don't appreciate.
Obviously I want my music on the radio and I want my record to do well, but I also have a totally different career, so a lot of people who are in music are just in music and can dedicate all their time to that and I can't do that, so I really want to have both things and I'm just trying to figure out how.
I know what you want. You want a story that won't surprise you. That will confirm what you already know. That won't make you see higher or further or differently. You want a flat story. An immobile story. You want dry, yeastless factuality.
Everyone who tells a story tells it differently, just to remind us that everybody sees it differently. Some people say there are true things to be found, some people say all kinds of things can be proved. I don't believe them. The only thing for certain is how complicated it all is, like string full of knots. It's all there but hard to find the beginning and impossible to fathom the end. The best you can do is admire the cat's cradle, and maybe knot it up a bit more.
A lot of people just love music, especially a lot of aspiring artists. They just want to jump in and start making music. They don't really take time to grow and appreciate the craft.
I think we have to change our thinking and the music industry has to shift and look at how people are acquiring their music now. They want it differently. They're getting it in a different way and you just have to adjust.
I just want to tell stories that are meaningful and have inspiration to them; people can watch it and take away something or maybe they'll just think about themselves differently, or thing about the world differently. I just want to create characters that live on.
I put a lot of work into my mixtapes, and I want everybody to understand I am doing this genuinely. I don't even want to be paid for this; I just want you all to hear my music and appreciate it. I think it brings me closer to my fans because they know I'm doing this for them and not just to get the bucks.
I feel like fans really want to spread the word about the band. I guess when you've done three records, you feel that you really start to appreciate it. We're looking at it all and it's just like, wow. You appreciate it differently when you work hard for it.
I know that my music is heard a lot in commercial circles. In academia, I think my music is taken in differently but I'm not sure why that is. Some kind of sixth sense tells me that people in that world are thinking differently about it. I don't know if it has to do with the structure of my music, which is probably more apparent to those in the academic world than it is in the commercial world, where people tend not to think of that aspect of music so much. They just listen for pure enjoyment.
If I have ideas, I want to put them in the movie. It's not a minimalist approach at all but I feel like it's for the audience. It's about seeing how much texture we can give it and seeing how many things are there for people to latch on to... I just want to do it the way I want and I feel like it won't be helpful for me if I start worrying about that. I just have to follow my instincts. Everyone is going to respond differently to it and everybody's right - that's their point of view. That's how the story intersects with their lives.
I just want to tell stories that are meaningful and have inspiration to them; people can watch it and take away something, or maybe they'll just think about themselves differently or think about the world differently. I just want to create characters that live on.
I really prefer to be kind of anonymous. Because when people know your whole history, they have a tendency to relate to you differently and maybe put you up on a pedestal. I want people to just be normal with me. I just want to live my life.
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