A Quote by Mandy Ingber

I have always loved the Barnsdall Art Center and the Hollyhock House. — © Mandy Ingber
I have always loved the Barnsdall Art Center and the Hollyhock House.
I always loved to be a ham and be at the center of attention, always in everybody's faces.
One of the wonderful things that I've always loved as an art student, what I always loved about comics, was that they are interpreted differently by different graphic artists all the time, so now film is doing that thanks to Marvel Studios.
I have always loved horror very much. I used to write stories for DC's House of Mystery. It was one of my first jobs writing for comics, and I loved it.
Growing up, there was a rec center by my house and I used to always go there, play ping pong. I got better over the years. And me and my friends always played.
I've always loved so many different things about social media and music and art and fashion. I always loved it. But I've been too scared to jump into it, knowing that people would be upset about it. So that's why I hid from it. And now, I'm not afraid to be myself.
I loved baseball. I was a pitcher. I loved being on the mound because I also loved being at the center of the action, the cat and mouse battle with the batter on every pitch. You had to develop grit.
I've always loved horror, I've always loved collecting, I've always loved weird and macabre things, and I've always loved conventions. So what could be better than having your own Fear FestEviL where all those great and crazy things can be enjoyed by like-minded people under one pretty cool roof? Nothing!
At our house, my father loved the arts. Among his favorite things was 'The Metropolitan Museum of Art Album of Miniatures' - a box set of small books on different art periods. I'd go into the living room at night and sit on the arm of his chair as he studied the images.
I always loved music - it was always in the house - and my younger brother is musical, too.
... there had been the two little boys. Now they were gone, too. They loved her and called her and sent her e-mails and would still snuggle up to her to be petted when they were in the mood, but they were men, and though they would always be at the center of her life, she was no longer at the center of theirs.
A dark house is always an unhealthy house, always an ill-aired house, always a dirty house. Want of light stops growth and promotes scrofula, rickets, etc., among the children. People lose their health in a dark house, and if they get ill, they cannot get well again in it.
The work of art is brought into the world without there being a need for it. The house satisfies a requirement. The work of art is responsible to none; the house is responsible to everyone. The work of art wants to draw people out of their state of comfort.
A saboteur in the house of art and a comedienne in the house of art theory, Lawler has spent three decades documenting the secret life of art. Functioning as a kind of one-woman CSI unit, she has photographed pictures and objects in collectors' homes, in galleries, on the walls of auction houses, and off the walls, in museum storage.
I loved surrealism and abstract painting, and anything related to those. I always thought painting was the highest form of art. What led me to drawing was seeing so much self-important, pretentious, conceptual-type art in university. I wanted to reject that by making quick, fun art.
New York is what Paris was in the twenties. . . the center of the art world. And we want to be in the center. It's the greatest place on earth. . . I've got a lot of friends here and I even brought my own cash.
Art must always remain earnest... Art must be serious, no sarcasm, comedy. One does not laugh at a loved one.
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