A Quote by Mandy Moore
In terms of the fantasy wedding thing, I can kind of cross off the island beach thing. Maybe at sunset or something.
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I'd just love to ride off into the sunset with my love. I've only seen the sunset so far. Maybe I can earn my own Ferrari so I can ride off in the sunset without anyone by my side.
Initially, I think I was eager to get off Staten Island and go away for school, that kind of thing. Then what you do maybe 10 years after that, you start maybe appreciating all the great things about the place you grew up. You can go back and enjoy it because you don't have that angst or sense of struggle to get away anymore.
The great thing about the Island is you've got room. You can go for a bike ride. We're 20 minutes to a beach, and you can get on the beach and go for a long walk.
You ride one in to the beach, and it's the most amazing thing you've ever felt. But at some point the water goes back out; it has to. And maybe you're lucky-maybe you're both too busy to do anything drastic. Maybe you're good as friends, so you stay. And then something happens-maybe it's something as big as a baby, or as small as him unloading the dishwasher-and the wave comes back in again. And it does that, over and over. I just think sometimes people forget to wait.
I've always been kind of uncomfortable just on the beach in a swimsuit. I'm never my most confident in a bikini on the beach, especially when you know people are looking at you, and they expect one thing because of what they see in the magazines, and you might not look that way. It's always been a scary thing for me.
You can never predict what kind of tough decisions are going to come in front of a President's desk. But if you can trust they will do the right thing, and maybe the hard thing, and maybe not the popular thing, and if you really want to know how a person will operate, look at how they've lived their life.
It's only when you look back sometimes and you look at some people in your life and you're like, Oh my god, there was something so pure about that. The thing that kind of bugged me, maybe, is the thing that's so unique.
Michael Vick is a work in progress. I think he really is wanting to do the right thing. I think the Philadelphia Eagles have been a great organization for him. He's had some ups and downs. He still has to learn to not put himself in, maybe bad situations, in terms of personal life and friends, and that kind of thing. But all in all, I think he's growing every day.
The good thing about being gay, though, I always believed, is that you didn't make anyone go to a wedding. Nobody wants to go to a wedding. Nobody. It kind of bothers me now that you have to go to gay weddings, too. I don't care. It's still a wedding. And I would give anybody double gifts if they would elope.
I don't maybe follow the normal star profile, and it's not something that I particularly want to embrace in terms of the publicity thing and wanting to be famous and known.
I have my brain switched on and I might be thinking something else but we've come to an arrangement. That sort of play is maybe easier with someone who also thinks that way. But that is not necessarily a national thing, but maybe a little bit of a cultural thing.
Nightmares are a strange thing. Your worst fear is sometimes something you enjoy thinking about, for some strange reason. I don't know why that is, but it's some kind of fantasy that people play out. "What would I do to protect my children? I'd do anything." And then, you watch it play out. I'm petrified of such a thing.
To me, fantasy has always been the genre of escape, science fiction the genre of ideas. So if you can escape and have a little idea as well, maybe you have some kind of a cross-breed between the two.
The funny thing is, nationalism only could have come about in Europe after the invention of printing. You could have this thing that was a book in a vernacular language, and you could imagine there were other readers of this book who you couldn't see, but they were a theoretical union of readers who all use the same language. That is kind of a prerequisite for a national fantasy. You need that thing, and it's a strange thing.
I don't know if [Samuel] Beckett is something you ever bring to the beach - get out of the water, towel off, and start reading some of "The Unnamable." Although, because it's the kind of book you can open to any page and start reading, it is beach reading in that way.
I've always made things either paintings, drawing, photographs, or writing. It's all kind of the same thing. It all involves saying more, I guess. It involves separating life, breaking off this chunk that's devoted to making something. There's a lot of pleasure in that, but there can also be a lot of struggle. There's always this fantasy that you could just live life and not have to think about it.
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