A Quote by Mandy Moore
I've really been sort of focused on acting and I feel really lucky because great projects sort of keep coming my way. I guess the criteria that I look for, it gets increasingly difficult because when you have the privilege of working with someone like Diane [Keaton], it's kind of like, 'Well, where do you go from there.'
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I feel badly for them, not sorry, but badly, because I think they've been given poor breaks and difficult, not sufficient opportunity to be who they are and sort of put into that straitjacket with the tie, and all of the things that is really built like a straitjacket when you look at it, and tied up in a sort of a way where their purpose had to be slimmed down to just certain things, and function pared down to the linear, and it is very difficult for men.
My parents are kind of young, and my dad always listened to rock music and stuff like that, so I sort of grew up around that. As far as acting goes, I didn't really have any major influences because it wasn't really something that I focused on.
I love acting, but I am a mom, and the roles just weren't coming because of a mixture of things: because I'm not ambitious, and because I'm older, and I had a baby. I really felt like I had said a graceful and completely happy goodbye to acting in a significant way. And I had sort of made my peace with that.
It definitely feels like I'm sort of reaching people through social media in the right kind of way. I feel like I've been late to the game with the whole Facebook/Twitter thing, because I always thought it was cheap. But, when I started really using it and trying to be myself when using it, which is the hardest thing. I feel like a lot of people are really responding to that.
When I look at my own career, growing up, I was doing really well at age 11, but it was kind of isolating because back then, people weren't hanging out with me. My mom was always there. She had my back and was like, 'You keep focused. You gotta keep focused.' And I think those kinds of lessons were hard.
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
At 15, you have to decide if you're going to go into professional dancing and really pursue it. I just a) knew that I couldn't stop acting, and b) I had that sort of foresight to understand that when I was 35 - if I was lucky and if I hadn't gotten injured - my career would be on its way to ending. Now, at 34, I really understand that. But at 15, I understood that as well. I was like, "I can't. That's just too risky.".
I can't emphasize more to you that I had the luxury, the privilege of living up here in Vancouver. I feel like I'm on vacation, and I get to work, as well. I don't think I need a vacation after working. I'd just like to really look with a positive outlook in being here in such a beautiful city. I really am feeling lucky on the days off that I have, that I'm here on vacation in Vancouver, British Columbia.
I sort of feel that the role of a portrait in society is to represent the sitters, we see paintings of Shakespeare and we believe that it is what he looked like, well maybe a little older, fatter and with a higher hairline. I guess it would be cool if the portraits that were painted really did look like the sitter or expressed some sort of emotion that gave the viewers in the future a sense of the sitter's pathos at the time it was painted.
I was anxious before I decided to go back to acting about what I wanted to do with my life. Once I realized I was sort of interested in acting, I've been pretty lucky and had all these great parts. And I feel pretty much like, 'What will happen will happen.'
Fantasy Man's my favourite, I think, because he's sort of like Don Quixote. He lives in a fantasy world, but he gets jolted back into reality, and I guess that's me, really!
Modern acting is method acting, most of it. And there are sort of different schools, so I guess I'm not really from one school or another. I had a number of different teachers but they were all kind of drawing from the same pool, which is - What do you want? What are you doing to get what you want? And, what is in the way? These are basic acting questions. Knowing the answers to those questions. So you're talking about objectives and actions and obstacles. That's a sort of shorthand that gives you a language.
I found a way into the acting business because I thought, well, it beats working for a living, and so that's what I do. But I still feel like a bit of a stranger in it all. I've never really belonged anywhere.
I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
I haven't really auditioned much in my career. I've been lucky in terms of the feature work; it's mostly been people that have been fans of mine that have called and said "We have this part, do you want to do it?" That kind of thing. And that's sort of still the way it is right now - I don't really go after features too much.
I feel really lucky because I discovered acting when I was really young, I was like nine and I think I had a really happy childhood and youth. I was doing what I wanted.
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