A Quote by Mandy Moore

When I started out in the industry I was 14 and a beanpole, but over the last few years I've grown. For the most part I feel pretty OK with how I look. I know I'm different from the typical Hollywood ideal of what is beautiful. But quite frankly I don't think that's attainable, and I'm happy to represent something different.
Yeah, but before anything, I think in 6 years somehow I've grown up to have a beautiful home, 2 beautiful stepchildren, a beautiful husband, my family is healthy and happy. I'm financially ok and I do what I love for a living. That's what I think, and I think god, how did I get so lucky.
Do you know I don't know how one can walk by a tree and not be happy at the sight of it? How can one talk to a man and not be happy in loving him! Oh, it's only that I'm not able to express it...And what beautiful things there are at every step, that even the most hopeless man must feel to be beautiful! Look at a child! Look at God's sunrise! Look at the grass, how it grows! Look at the eyes that gaze at you and love you!
There are certain creative jobs where you know you are the person on the line, and there are few guarantees that you're going to be able to crank out hits every year. For the most part, it's a roller coaster. You look at Fox, you look at NBC, you look at ABC, and they've been up and down over the years and in every different position. So if you are somebody who is not afraid of risk and you love the creative process, it's great. Why would you not do it?
I think I did realize that early on, and then I went through a fun phase where I was figuring out who I was and the different sides of myself. I think like most women, I bought into a certain ideal of beauty that I didn't quite fit into, and I tried to pretzel myself and alter myself to be what I was told is beautiful, and then I realized that you are in control of what you think is beautiful.
Even from the age of about 6 years old, I was kind of made to feel different by other kids - you know, I was a quite pretty kid, and I got called 'girl' a lot, and 'woman' and all of that. And school is really not a place to be different.
I think it's not really difficult to write about love. We've been saying the same thing over and over for so many years. But it depends on how honest it is and how good you make it feel. You can say 'I love you' in a trillion ways, and it can always sound different or feel different.
I've been different things in different contexts, and I didn't really feel beautiful until I had my first child. I knew that I was considered 'People' magazine's Most Whatever, but all that stuff is just how we label different groups. And I've been very not beautiful in my life. There's no way I was beautiful growing up.
Isaiah Berlin once said that there are two kinds of writers, hedgehogs and foxes. He said the fox knows many things, the hedgehog knows just one thing. So Shakespeare is a typical fox; Tolstoy and Dostoyevsky are typical hedgehogs. Now, I'm a typical hedgehog. I know just one thing, and I repeat it over and over again. I try to approach it from different angles to make it look different, but it's the same thing.
I think gender plays a part in most things, but I don't know how it would be different because I've never been a man. And my fame is different from Nicole Kidman's or Sharon Stone's. I think everybody's fame is different.
We're in a very competitive industry, and sometimes the bigger Hollywood things are not so risk takey. I find myself mostly existing in this weirdo indie world, which I feel really comfortable being in. The thing that motivates me the most is to try to do something way different than the last thing that I did.
You read something and you know it's not there yet. There's a little section here that... this part's good but that is a little not, it doesn't quite work. That doesn't quite work. That's easy. To say, "OK, now, this is what I think will fix it." That's harder. And most people can tell you what's wrong with something. Very few people can say what they would do to fix it.
In retrospect, I think that I've been given quite a few scripts over the years that had dark elements to them but most of them took place in the countryside with a haunted house. I think I've probably had that script about six to 10 times over the past few years. Or it was something to do with the supernatural.
People at CDC [Centers for Disease Control] who cut their teeth on diseases over the last 10 years have started to think of crime as another disease, and using some of these same concepts. It was something that was in the air in that world, but it was time to bust it out and apply it to any number of different social epidemics.
I think most of our eyes are trained to background being completely out of focus, but you can't do that with an iPhone unless you manipulate it quite a lot in post. You have to accept the fact that your film is going to look a little different on the big screen. Even though the resolution holds up, it does have something very different about it.
You got to look the part. You have to look like all the successful rock bands look. This is what they do. That's never been us. You know, it's a hard game to play: at the end of the day, we are just a rock band and have so many different cultures of music that we have grown up on, because we are fans of all different kinds of music.
I'm a tomboy beanpole? I can't use a computer, so maybe I'm a bit out of the loop. I don't know whether to be flattered or not flattered. The beanpole bit, is that good? Can you be a sexy beanpole?
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