A Quote by Mandy Patinkin
If you stand too close to a painting - all you see are patches of color, if you stand too far back, you can't see any of the detail.
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I try not to identify too strongly with any of my characters. I like to stand back and see them objectively. I think this is why I often use boys instead of girls, just in case I get too close and lose the overall picture.
Painting on the ground was a cool challenge because you can't just stand back and see what you're doing.
Imagine a wall that's green on one side and red on the other. You stand on one side and only see green. I stand on the other side and only see red. We'll both be right about the color we see, even though we disagree on what color the wall is. Being able to realize that the other person has a valid point, even if you disagree with it, that's maturity.
I want my candidacy for the presidency of the United States to stand for a moment when we the people, stand once again for the independence from a government that has gotten too big and spends too much and has taken away too much of our liberties.
I want my candidacy for the presidency of the United States to stand for a moment when we the people stand once again for the independence from a government that has gotten too big and spends too much and has taken away too much of our liberties.
Writing a short story is like painting a picture on the head of a pin. And just getting everything to fit is - sometimes seems impossible. Writing a novel, though, is - has its own challenges of scope. And I think of that as painting a mural, where the challenge is that if you are close enough to work on it, you're too close to see the whole thing.
When you're too mad and too rattled to see straight, you're bound to make mistakes. You can't go on and on for years being miserable about a situation and not have it change you. You get so you can't stand yourself.
I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity.
There's an audience that is paid to laugh at my jokes. I'm playing a character while I'm doing stand-up. Real stand-ups, man, they're playing themselves. I'd be far too terrified.
It is part of the photographer's job to see more intensely than most people do. He must have and keep in him something of the receptiveness of a child who looks at the world for the first time or of the traveler who enters a strange country We are most of us too busy, too worried, too intent on proving ourselves right, too obsessed with ideas to stand and stare Very rarely are we able to free our minds of thoughts and emotions and just see for the simple pleasure of seeing. And so long as we fail to do this, so long will the essence of things be hidden from us.
I'm not high maintenance, and I'm not into a highly manicured man. I don't want to see a lot of hair product. If he's too showy, that's embarrassing to me - I wear makeup and take showers, but that's basically it. I'm not trying to stand out too much.
If you could stand back far enough and watch the whole process you'd see you are a totally determined being.
I started making work that I assumed would be far too garish, far too decadent, far too black for the world to care about. I, to this day, am thankful to whatever force there is out there that allows me to get away with painting the stories of people like me.
Great minds are related to the brief span of time during which they live as great buildings are to a little square in which they stand: you cannot see them in all their magnitude because you are standing too close to them.
Where you stand determines what you see and what you do not see; it determines also the angle you see it from; a change in where you stand changes everything.
The most sublime truth of all has never been stated or written or sung. Not because it is far away and can not be reached, but because it is so intimately close, closer than anything that can be spoken. It is alive as the stillness in the core of your being, too close to be described, too close to be objectified, too close to be known in the usual way of knowledge. The truth of who you are is yours already. It is already present.
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